To sing the wind, pipes and bones, A Dance Choral by Alix Eynaudi
This article is still under construction.
In short
For their second piece, the five PARASOL participants – Alex Bailey, Camilla Schielin, Júlia Rúbies Subirós, Shahrzad Nazarpour, Theresa Scheinecker – will team up with choreographer Alix Eynaudi, sound designer Paul Kotal and musician Han-Gyeol Lie to create a speculative register of songs and dances. Evoking a crowded tableau vivant of our present time, this piece will never fully explain the origins of complex concepts, even if we might understand them (or not). Based on the idea of a library, this piece will borrow and gather words, change their meaning aimlessly and draw on the shades of their endings while it also rocks their songs and dances their undergrowth.
Credits
Concept Alix Eynaudi by and with Alex Bailey, Camilla Schielin, Júlia Rúbies Subirós, Shahrzad Nazarpour, Theresa Scheinecker, Sound design, music compilation, montage of music Han-Gyeol Lie, Paul Kotal Light design Krisha Piplits (re-visiting of the light design made for the piece Hedera helix by Elizabeth Ward) Costumes An Breugelmans Digital Piano Kawai MP 9500 Preproduction, music residency Zonkeystudios Production management Eva Holzinger / Mollusca Productions Production Tanzquartier Wien
Parasol
A dance group of TQW. Starting in 2022, two choreographers – this year’s are Ian Kaler and Alix Eynaudi – will continuously work with a select group of five young dancers on a TQW Halle G production for three months each year. Further training will complement the artistic practice, and artists will be embedded in TQW’s diverse programme of productions, theory lectures and body & performance practices. A hybrid artistic – and paid – training project for the dance scene in Vienna and beyond, but also a mobile network of relations, an experimental setting with a focus on the vital needs of ensemble productions: solidarity, collective experience, conviviality
Publication
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