https://gangplank.group/mediawiki/api.php?action=feedcontributions&feedformat=atom&user=LuziFerase 2026-04-29T02:32:00Z User contributions MediaWiki 1.39.7 https://gangplank.group/mediawiki/index.php?title=December_2019_Tanzhalle_Wiesenburg_Berlin&diff=845 2022-05-11T13:59:55Z

<p>LuziFerase: /* What has been developed */</p> <hr /> <div>[[category: 2019]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> [https://tanzhallewiesenburg.net/ Tanzhalle Wiesenburg]<br /> <br /> ==Participants==<br /> <br /> Emese Csornai<br /> <br /> Annegret Schalke<br /> <br /> Ruth Waldeyer<br /> <br /> Bruno Pocheron<br /> <br /> Ryan Holsopple<br /> <br /> Claire Terrien<br /> <br /> Martin Mulack?<br /> <br /> Marc Lagies<br /> <br /> Catalina Fernandez<br /> <br /> ==Focus points==<br /> <br /> * feedback circuits (light, sound, different senders and receivers) and treatment of feedback<br /> * sound analysis<br /> * a tribute to the dmx universe (:-) )<br /> * arduino / raspberry pie´s<br /> * extended osc network including raspberry pies<br /> * exchange of patches / scripts etc.<br /> * documenting<br /> * going further with video input to dmx (working with colors f.ex.)<br /> <br /> '''tools, protocols, environments:'''<br /> <br /> * pd, vvvv /  touch osc,, lanbox (lcedit), cubase, ableton live, python…<br /> <br /> ==What has been developed==<br /> continue and document the work on [[Papier.Falten. by Christina Ertl-Shirley and Ruth Waldeyer]] a project including ultrasonic sensors, Arduinos, a [https://www.raspberrypi.org/ Raspberry Pi] + [[BitWizard DMX Interface]] for light controlling, Raspberry Pi as Gateway.<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=December_2019_Tanzhalle_Wiesenburg_Berlin&diff=844 2022-05-11T13:58:30Z

<p>LuziFerase: /* What has been developed */</p> <hr /> <div>[[category: 2019]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> [https://tanzhallewiesenburg.net/ Tanzhalle Wiesenburg]<br /> <br /> ==Participants==<br /> <br /> Emese Csornai<br /> <br /> Annegret Schalke<br /> <br /> Ruth Waldeyer<br /> <br /> Bruno Pocheron<br /> <br /> Ryan Holsopple<br /> <br /> Claire Terrien<br /> <br /> Martin Mulack?<br /> <br /> Marc Lagies<br /> <br /> Catalina Fernandez<br /> <br /> ==Focus points==<br /> <br /> * feedback circuits (light, sound, different senders and receivers) and treatment of feedback<br /> * sound analysis<br /> * a tribute to the dmx universe (:-) )<br /> * arduino / raspberry pie´s<br /> * extended osc network including raspberry pies<br /> * exchange of patches / scripts etc.<br /> * documenting<br /> * going further with video input to dmx (working with colors f.ex.)<br /> <br /> '''tools, protocols, environments:'''<br /> <br /> * pd, vvvv /  touch osc,, lanbox (lcedit), cubase, ableton live, python…<br /> <br /> ==What has been developed==<br /> continue and document the work on [[Papier.Falten. by Christina Ertl-Shirley and Ruth Waldeyer]] a project including ultrasonic sensors, Arduinos, a [[Raspberry Pi]] + [[BitWizard DMX Interface]] for light controlling, Raspberry Pi as Gateway.<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=December_2019_Tanzhalle_Wiesenburg_Berlin&diff=843 2022-05-11T13:56:08Z

<p>LuziFerase: </p> <hr /> <div>[[category: 2019]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> [https://tanzhallewiesenburg.net/ Tanzhalle Wiesenburg]<br /> <br /> ==Participants==<br /> <br /> Emese Csornai<br /> <br /> Annegret Schalke<br /> <br /> Ruth Waldeyer<br /> <br /> Bruno Pocheron<br /> <br /> Ryan Holsopple<br /> <br /> Claire Terrien<br /> <br /> Martin Mulack?<br /> <br /> Marc Lagies<br /> <br /> Catalina Fernandez<br /> <br /> ==Focus points==<br /> <br /> * feedback circuits (light, sound, different senders and receivers) and treatment of feedback<br /> * sound analysis<br /> * a tribute to the dmx universe (:-) )<br /> * arduino / raspberry pie´s<br /> * extended osc network including raspberry pies<br /> * exchange of patches / scripts etc.<br /> * documenting<br /> * going further with video input to dmx (working with colors f.ex.)<br /> <br /> '''tools, protocols, environments:'''<br /> <br /> * pd, vvvv /  touch osc,, lanbox (lcedit), cubase, ableton live, python…<br /> <br /> ==What has been developed==<br /> continue and document the work on Papier.Falten. a project including ultrasonic sensors, Arduinos, a [[Raspberry Pi]] + [[BitWizard DMX Interface]] for light controlling, Raspberry Pi as Gateway. <br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=December_2019_Tanzhalle_Wiesenburg_Berlin&diff=842 2022-05-11T13:55:25Z

<p>LuziFerase: /* What has been developed */</p> <hr /> <div>[[category: 2019]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> [https://tanzhallewiesenburg.net/ Tanzhalle Wiesenburg]<br /> <br /> ==Participants==<br /> <br /> Emese Csornai<br /> <br /> Annegret Schalke<br /> <br /> Ruth Waldeyer<br /> <br /> Bruno Pocheron<br /> <br /> Ryan Holsopple<br /> <br /> Claire Terrien<br /> <br /> Martin Mulack?<br /> <br /> Marc Lagies<br /> <br /> Catalina Fernandez<br /> <br /> ==Focus points==<br /> <br /> * feedback circuits (light, sound, different senders and receivers) and treatment of feedback<br /> * sound analysis<br /> * a tribute to the dmx universe (:-) )<br /> * arduino / raspberry pie´s<br /> * extended osc network including raspberry pies<br /> * exchange of patches / scripts etc.<br /> * documenting<br /> * going further with video input to dmx (working with colors f.ex.)<br /> <br /> '''tools, protocols, environments:'''<br /> <br /> * pd, vvvv /  touch osc,, lanbox (lcedit), cubase, ableton live, python…<br /> <br /> ==What has been developed==<br /> continue and document the work on Papier.Falten. a project including <br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=Papier_Falten&diff=841 2022-05-11T13:53:26Z

<p>LuziFerase: LuziFerase moved page Papier Falten to Papier.Falten. by Christina Ertl-Shirley and Ruth Waldeyer</p> <hr /> <div>#REDIRECT [[Papier.Falten. by Christina Ertl-Shirley and Ruth Waldeyer]]</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=Papier.Falten._by_Christina_Ertl-Shirley_and_Ruth_Waldeyer&diff=840 2022-05-11T13:53:26Z

<p>LuziFerase: LuziFerase moved page Papier Falten to Papier.Falten. by Christina Ertl-Shirley and Ruth Waldeyer</p> <hr /> <div>[[Category:Performance]]<br /> [[File:Papier.Falten..jpg|thumb]]<br /> <br /> ==Description==<br /> <br /> 2019 we built a deambulatory shell consisting of 150 m2 paper, 16 pillow speakers, 1 bass speaker, 15,6 m Alu-H-Profile, 13,6 m LED-Strip, 1000 magnets, 300 foldback paper clips, 3 ultrasonic sensors, fishing line<br /> <br /> Around 105 million years ago the female paper boats* begin to make a fine shell that they hold on to with their arms. They leave caves and crevices behind them and head towards the water surface. To avoid attracting attention as flotsam, they have acquired camouflage: The thin membrane skin they stretch over their shells can change color. At times, the Argonauta females form chains and drift together through the sea. 180 years ago, seamstress and amateur naturalist Jeanne Villepreux-Power proves that the paper boats produce, hold and repair their own shell.<br /> <br /> concept and realisation: Christina Ertl-Shirley und Ruth Waldeyer with Kim Scheunemann @ [https://www.digitalinberlin.de/power-cage-state-studio-2019/ the exhibition Power Cage – Experimentalraum Aquarium im State Studio Berlin]<br /> <br /> ==Light Idea==<br /> <br /> A deambulatory structure of paper which is lit from the inside, getting darker the closer you get to it<br /> <br /> ==Physical Set Up==<br /> <br /> A metal structure made of aluminium H profiles hanging from the ceiling, used as a skeleton for the paper folds and as a cooling body for the LED strips<br /> <br /> Here you find [[Media:Papier.Falten._Planning.pdf | The Plan]] and [[Media:Papier.Falten Skizze.pdf | Drafts Of The Final Shape]]<br /> <br /> ==Guts==<br /> <br /> ===Hardware=== <br /> ultrasonic sensors, Arduinos, a [[Raspberry Pi]] + [[BitWizard DMX Interface]] for light controlling, Raspberry Pi as Gateway. Once it´s up and running, it´s a stand alone system, in order to restart a laptop and router are needed<br /> <br /> ===Software=== <br /> <br /> &lt;span style=&quot;color:blue&quot;&gt; ''This Part is still under construction'' &lt;/span&gt;<br /> <br /> [[QLC+]], pythonOSC, [[MySensors]]<br /> <br /> https://www.mysensors.org/build/connect_radio</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=Papier.Falten._by_Christina_Ertl-Shirley_and_Ruth_Waldeyer&diff=836 2022-05-11T13:46:25Z

<p>LuziFerase: </p> <hr /> <div>[[Category:Performance]]<br /> [[File:Papier.Falten..jpg|thumb]]<br /> <br /> ==Description==<br /> <br /> 2019 we built a deambulatory shell consisting of 150 m2 paper, 16 pillow speakers, 1 bass speaker, 15,6 m Alu-H-Profile, 13,6 m LED-Strip, 1000 magnets, 300 foldback paper clips, 3 ultrasonic sensors, fishing line<br /> <br /> Around 105 million years ago the female paper boats* begin to make a fine shell that they hold on to with their arms. They leave caves and crevices behind them and head towards the water surface. To avoid attracting attention as flotsam, they have acquired camouflage: The thin membrane skin they stretch over their shells can change color. At times, the Argonauta females form chains and drift together through the sea. 180 years ago, seamstress and amateur naturalist Jeanne Villepreux-Power proves that the paper boats produce, hold and repair their own shell.<br /> <br /> concept and realisation: Christina Ertl-Shirley und Ruth Waldeyer with Kim Scheunemann @ [https://www.digitalinberlin.de/power-cage-state-studio-2019/ the exhibition Power Cage – Experimentalraum Aquarium im State Studio Berlin]<br /> <br /> ==Light Idea==<br /> <br /> A deambulatory structure of paper which is lit from the inside, getting darker the closer you get to it<br /> <br /> ==Physical Set Up==<br /> <br /> A metal structure made of aluminium H profiles hanging from the ceiling, used as a skeleton for the paper folds and as a cooling body for the LED strips<br /> <br /> Here you find [[index.php?title=Media:Papier.Falten. Planning.pdf| The Plan]] and [[index.php?title=Media:Papier.Falten Skizze.pdf| Drafts Of The Final Shape]]<br /> <br /> ==Guts==<br /> <br /> ===Hardware=== <br /> ultrasonic sensors, Arduinos, a [[Raspberry Pi]] + [[BitWizard DMX Interface]] for light controlling, Raspberry Pi as Gateway. Once it´s up and running, it´s a stand alone system, in order to restart a laptop and router are needed<br /> <br /> ===Software=== <br /> <br /> &lt;span style=&quot;color:blue&quot;&gt; ''This Part is still under construction'' &lt;/span&gt;<br /> <br /> [[QLC+]], pythonOSC, [[MySensors]]<br /> <br /> https://www.mysensors.org/build/connect_radio</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=Papier.Falten._by_Christina_Ertl-Shirley_and_Ruth_Waldeyer&diff=835 2022-05-11T13:44:58Z

<p>LuziFerase: /* Description */</p> <hr /> <div>[[Category:Performance]]<br /> [[File:Papier.Falten..jpg|thumb]]<br /> <br /> ==Description==<br /> <br /> 2019 we built a deambulatory shell consisting of 150 m2 paper, 16 pillow speakers, 1 bass speaker, 15,6 m Alu-H-Profile, 13,6 m LED-Strip, 1000 magnets, 300 foldback paper clips, 3 ultrasonic sensors, fishing line<br /> <br /> Around 105 million years ago the female paper boats* begin to make a fine shell that they hold on to with their arms. They leave caves and crevices behind them and head towards the water surface. To avoid attracting attention as flotsam, they have acquired camouflage: The thin membrane skin they stretch over their shells can change color. At times, the Argonauta females form chains and drift together through the sea. 180 years ago, seamstress and amateur naturalist Jeanne Villepreux-Power proves that the paper boats produce, hold and repair their own shell.<br /> <br /> concept and realisation: Christina Ertl-Shirley und Ruth Waldeyer with Kim Scheunemann @ the exhibition Power Cage – Experimentalraum Aquarium im State Studio Berlin<br /> <br /> ==Light Idea==<br /> <br /> A deambulatory structure of paper which is lit from the inside, getting darker the closer you get to it<br /> <br /> ==Physical Set Up==<br /> <br /> A metal structure made of aluminium H profiles hanging from the ceiling, used as a skeleton for the paper folds and as a cooling body for the LED strips<br /> <br /> Here you find [[index.php?title=Media:Papier.Falten. Planning.pdf| The Plan]] and [[index.php?title=Media:Papier.Falten Skizze.pdf| Drafts Of The Final Shape]]<br /> <br /> ==Guts==<br /> <br /> ===Hardware=== <br /> ultrasonic sensors, Arduinos, a [[Raspberry Pi]] + [[BitWizard DMX Interface]] for light controlling, Raspberry Pi as Gateway. Once it´s up and running, it´s a stand alone system, in order to restart a laptop and router are needed<br /> <br /> ===Software=== <br /> <br /> &lt;span style=&quot;color:blue&quot;&gt; ''This Part is still under construction'' &lt;/span&gt;<br /> <br /> [[QLC+]], pythonOSC, [[MySensors]]<br /> <br /> https://www.mysensors.org/build/connect_radio</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=Papier.Falten._by_Christina_Ertl-Shirley_and_Ruth_Waldeyer&diff=834 2022-05-11T13:42:52Z

<p>LuziFerase: Created page with &quot;Category:Performance thumb ==Description== 2019 we built a deambulatory shell consisting of 150 m2 paper, 16 pillow speakers, 1 bass speaker,...&quot;</p> <hr /> <div>[[Category:Performance]]<br /> [[File:Papier.Falten..jpg|thumb]]<br /> <br /> ==Description==<br /> <br /> 2019 we built a deambulatory shell consisting of 150 m2 paper, 16 pillow speakers, 1 bass speaker, 15,6 m Alu-H-Profile, 13,6 m LED-Strip, 1000 magnets, 300 foldback paper clips, 3 ultrasonic sensors, fishing line<br /> <br /> Around 105 million years ago the female paper boats* begin to make a fine shell that they hold on to with their arms. They leave caves and crevices behind them and head towards the water surface. To avoid attracting attention as flotsam, they have acquired camouflage: The thihttps://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Papier_Falten&amp;action=historyn membrane skin they stretch over their shells can change color. At times, the Argonauta females form chains and drift together through the sea. 180 years ago, seamstress and amateur naturalist Jeanne Villepreux-Power proves that the paper boats produce, hold and repair their own shell.<br /> <br /> concept and realisation: Christina Ertl-Shirley und Ruth Waldeyer with Kim Scheunemann @ the exhibition Power Cage – Experimentalraum Aquarium im State Studio Berlin<br /> <br /> ==Light Idea==<br /> <br /> A deambulatory structure of paper which is lit from the inside, getting darker the closer you get to it<br /> <br /> ==Physical Set Up==<br /> <br /> A metal structure made of aluminium H profiles hanging from the ceiling, used as a skeleton for the paper folds and as a cooling body for the LED strips<br /> <br /> Here you find [[Media:Papier.Falten._Planning.pdf | The Plan]] and [[Media:Papier.Falten Skizze.pdf | Drafts Of The Final Shape]]<br /> <br /> ==Guts==<br /> <br /> ===Hardware=== <br /> ultrasonic sensors, Arduinos, a [[Raspberry Pi]] + [[BitWizard DMX Interface]] for light controlling, Raspberry Pi as Gateway. Once it´s up and running, it´s a stand alone system, in order to restart a laptop and router are needed<br /> <br /> ===Software=== <br /> <br /> &lt;span style=&quot;color:blue&quot;&gt; ''This Part is still under construction'' &lt;/span&gt;<br /> <br /> [[QLC+]], pythonOSC, [[MySensors]]<br /> <br /> https://www.mysensors.org/build/connect_radio</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=June_2020_ausland-berlin&diff=833 2022-05-11T13:19:15Z

<p>LuziFerase: /* Location and circumstances */</p> <hr /> <div>[[Category:2020]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> Gangplank 2020 happened in [https://ausland-berlin.de/ ausland] an independent venue for music, film, literature, performance and other artistic projects and an infrastructure for rehearsals, recordings, workshops and residencies. <br /> <br /> ==Participants==<br /> Annegret Schalke<br /> <br /> Ruth Waldeyer<br /> <br /> Baptiste Moulin<br /> <br /> Bruno Pocheron<br /> <br /> Emese Csornai<br /> <br /> Claire Terrien<br /> <br /> Sanja Gergoric<br /> <br /> Marc Lagies<br /> <br /> Catalina Fernandez<br /> <br /> Florian Bach<br /> <br /> ==Focus points==<br /> <br /> ==What has been developed==<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=June_2020_ausland-berlin&diff=832 2022-05-11T13:18:52Z

<p>LuziFerase: /* Location and circumstances */</p> <hr /> <div>[[Category:2020]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> Gangplank 2020 happened in [https://ausland-berlin.de/ ausland] an independent venue for music, film, literature, performance and other artistic projects and an infrastructure for rehearsals, recordings and workshops and residencies. <br /> <br /> ==Participants==<br /> Annegret Schalke<br /> <br /> Ruth Waldeyer<br /> <br /> Baptiste Moulin<br /> <br /> Bruno Pocheron<br /> <br /> Emese Csornai<br /> <br /> Claire Terrien<br /> <br /> Sanja Gergoric<br /> <br /> Marc Lagies<br /> <br /> Catalina Fernandez<br /> <br /> Florian Bach<br /> <br /> ==Focus points==<br /> <br /> ==What has been developed==<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=December_2019_Tanzhalle_Wiesenburg_Berlin&diff=831 2022-05-11T13:17:30Z

<p>LuziFerase: /* Location and circumstances */</p> <hr /> <div>[[category: 2019]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> [https://tanzhallewiesenburg.net/ Tanzhalle Wiesenburg]<br /> <br /> ==Participants==<br /> <br /> Emese Csornai<br /> <br /> Annegret Schalke<br /> <br /> Ruth Waldeyer<br /> <br /> Bruno Pocheron<br /> <br /> Ryan Holsopple<br /> <br /> Claire Terrien<br /> <br /> Martin Mulack?<br /> <br /> Marc Lagies<br /> <br /> Catalina Fernandez<br /> <br /> ==Focus points==<br /> <br /> * feedback circuits (light, sound, different senders and receivers) and treatment of feedback<br /> * sound analysis<br /> * a tribute to the dmx universe (:-) )<br /> * arduino / raspberry pie´s<br /> * extended osc network including raspberry pies<br /> * exchange of patches / scripts etc.<br /> * documenting<br /> * going further with video input to dmx (working with colors f.ex.)<br /> <br /> '''tools, protocols, environments:'''<br /> <br /> * pd, vvvv /  touch osc,, lanbox (lcedit), cubase, ableton live, python…<br /> <br /> ==What has been developed==<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=June_2020_ausland-berlin&diff=829 2022-05-11T13:15:02Z

<p>LuziFerase: /* Location and circumstances */</p> <hr /> <div>[[Category:2020]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> Gangplank 2020 happened in [https://ausland-berlin.de/ ausland] again. <br /> <br /> ==Participants==<br /> Annegret Schalke<br /> <br /> Ruth Waldeyer<br /> <br /> Baptiste Moulin<br /> <br /> Bruno Pocheron<br /> <br /> Emese Csornai<br /> <br /> Claire Terrien<br /> <br /> Sanja Gergoric<br /> <br /> Marc Lagies<br /> <br /> Catalina Fernandez<br /> <br /> Florian Bach<br /> <br /> ==Focus points==<br /> <br /> ==What has been developed==<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=December_2019_Tanzhalle_Wiesenburg_Berlin&diff=828 2022-05-11T13:06:17Z

<p>LuziFerase: </p> <hr /> <div>[[category: 2019]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> <br /> ==Participants==<br /> <br /> Emese Csornai<br /> <br /> Annegret Schalke<br /> <br /> Ruth Waldeyer<br /> <br /> Bruno Pocheron<br /> <br /> Ryan Holsopple<br /> <br /> Claire Terrien<br /> <br /> Martin Mulack?<br /> <br /> Marc Lagies<br /> <br /> Catalina Fernandez<br /> <br /> ==Focus points==<br /> <br /> * feedback circuits (light, sound, different senders and receivers) and treatment of feedback<br /> * sound analysis<br /> * a tribute to the dmx universe (:-) )<br /> * arduino / raspberry pie´s<br /> * extended osc network including raspberry pies<br /> * exchange of patches / scripts etc.<br /> * documenting<br /> * going further with video input to dmx (working with colors f.ex.)<br /> <br /> '''tools, protocols, environments:'''<br /> <br /> * pd, vvvv /  touch osc,, lanbox (lcedit), cubase, ableton live, python…<br /> <br /> ==What has been developed==<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=December_2019_Tanzhalle_Wiesenburg_Berlin&diff=826 2022-05-11T13:04:09Z

<p>LuziFerase: /* Focus points */</p> <hr /> <div>[[category: 2019]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> <br /> ==Participants==<br /> <br /> Emese Csornai<br /> <br /> Annegret Schalke<br /> <br /> Ruth Waldeyer<br /> <br /> Bruno Pocheron<br /> <br /> Ryan Holsopple<br /> <br /> Claire Terrien<br /> <br /> Martin Mulack?<br /> <br /> Marc Lagies<br /> <br /> Catalina Fernandez<br /> <br /> ==Focus points==<br /> <br /> * feedback circuits (light, sound, different senders and receivers) and<br /> * treatment of feedback<br /> * sound analysis<br /> * a tribute to the dmx universe (:-) )<br /> * arduino / raspberry pie´s<br /> * extended osc network including raspberry pies<br /> * exchange of patches / scripts etc.<br /> * documenting<br /> * going further with video input to dmx (working with colors f.ex.)<br /> <br /> '''tools, protocols, environments:'''<br /> <br /> * pd, vvvv /  touch osc,, lanbox (lcedit), cubase, ableton live, python…<br /> <br /> ==What has been developed==<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=June_2020_ausland-berlin&diff=824 2022-05-11T11:56:00Z

<p>LuziFerase: </p> <hr /> <div>[[Category:2020]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> The first Gangplank of 2020 happened at [https://ausland-berlin.de/ ausland] an independent venue for music, film, literature, performance and other artistic projects and an infrastructure for rehearsals, recordings and workshops and residencies. <br /> <br /> ==Participants==<br /> Annegret Schalke<br /> <br /> Ruth Waldeyer<br /> <br /> Baptiste Moulin<br /> <br /> Bruno Pocheron<br /> <br /> Emese Csornai<br /> <br /> Claire Terrien<br /> <br /> Sanja Gergoric<br /> <br /> Marc Lagies<br /> <br /> Catalina Fernandez<br /> <br /> Florian Bach<br /> <br /> ==Focus points==<br /> <br /> ==What has been developed==<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=June_2020_ausland-berlin&diff=823 2022-05-11T11:53:28Z

<p>LuziFerase: /* Location and circumstances */</p> <hr /> <div>[[Category:2020]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> the first Gangplank of 2020 happened in [https://ausland-berlin.de/ ausland] again. <br /> <br /> ==Participants==<br /> Annegret Schalke<br /> <br /> Ruth Waldeyer<br /> <br /> Baptiste Moulin<br /> <br /> Bruno Pocheron<br /> <br /> Emese Csornai<br /> <br /> Claire Terrien<br /> <br /> Sanja Gergoric<br /> <br /> Marc Lagies<br /> <br /> Catalina Fernandez<br /> <br /> Florian Bach<br /> <br /> ==Focus points==<br /> <br /> ==What has been developed==<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=June_2020_ausland-berlin&diff=822 2022-05-11T11:50:52Z

<p>LuziFerase: /* Participants */</p> <hr /> <div>[[Category:2020]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> <br /> ==Participants==<br /> Annegret Schalke<br /> <br /> Ruth Waldeyer<br /> <br /> Baptiste Moulin<br /> <br /> Bruno Pocheron<br /> <br /> Emese Csornai<br /> <br /> Claire Terrien<br /> <br /> Sanja Gergoric<br /> <br /> Marc Lagies<br /> <br /> Catalina Fernandez<br /> <br /> Florian Bach<br /> <br /> ==Focus points==<br /> <br /> ==What has been developed==<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=June_2011_Les_Laboratoires_d%27Aubervilliers&diff=818 2022-05-11T11:38:50Z

<p>LuziFerase: /* References */</p> <hr /> <div>[[Category:2011]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> <br /> ==Participants==<br /> <br /> Olivier Heinry<br /> <br /> Julien Fezans<br /> <br /> Tanguy Nédélec<br /> <br /> Ruth Waldeyer<br /> <br /> Judith Depaule<br /> <br /> Marika Rizzi<br /> <br /> Anne Goldenberg<br /> <br /> Sasa Bozic<br /> <br /> Alice Chauchat<br /> <br /> Aniara Fernandez<br /> <br /> Bruno Pocheron<br /> <br /> Dragana Zarevska<br /> <br /> Greta ?<br /> <br /> ==Focus points==<br /> <br /> ==What has been developed==<br /> <br /> ==References==<br /> '''Gangplank and the emergence of an open source and interdisciplinary dramaturgy'''<br /> <br /> reflection on Gangplank written by Anne Goldenberg<br /> <br /> http://www.leslaboratoires.org/en/article/gangplank-and-emergence-open-source-and-interdisciplinary-dramaturgy</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=June-July_2009_Pact_Zollverein_Essen&diff=814 2022-05-11T11:34:24Z

<p>LuziFerase: </p> <hr /> <div>[[Category:2009]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> It all started with a residence for the project ''Sweet Dreams Are Made'' ([https://www.aughterlony.com/ Simone Aughterlony] and [https://isabelle-schad.net/ Isabelle Schad]), where multimedia artist Olivier Heinry and lighting designer Bruno Pocheron developed a video based control interface for lights. Following the showings at the end of the residence, Pact Zollverein Essen offered the two of them the opportunity and the money for initiating and organizing an informal research gathering of artists, designers and technicians aimed at a collective reflection around their individual practices, an exchange of interests, tools and visions, as well as the development of a common language for making interdisciplinary stage work. The experience was then baptised Gangplank.<br /> <br /> ==Participants==<br /> <br /> Florian Bach<br /> <br /> Nadia Ratsimandresy<br /> <br /> Ruth Waldeyer<br /> <br /> Maika Knoblich<br /> <br /> Mehdi Toutain-Lopez<br /> <br /> Boris Hauf<br /> <br /> Minna Tikkainen<br /> <br /> Isabelle Schad<br /> <br /> Heiko Schramm<br /> <br /> Judith Depaule<br /> <br /> ==Focus points==<br /> <br /> * interactivity and networks<br /> * finding common languages<br /> * strategy for the development of common tools<br /> * circulation and sharing of knowledge<br /> * the principle of open source<br /> * publicizing our practices and the tools we develop<br /> * the place of technology in performance-making<br /> * how to include the notion of formation / education in our interdisciplinary practices<br /> * which contexts, which time frames and which spaces to do work?<br /> * activating the theatre space versus fitting in the theatre space<br /> * continuous work, project-based work or both?<br /> * money and production<br /> * authorship and credits<br /> * structural independence, to which extend?<br /> '''Opening spaces for reflection, exchange and debate on interdisciplinary creation processes through:'''<br /> * questioning and confronting ways of doing art and relations to technology in doing art<br /> * developing and documenting dramaturgical, technological and communicative tools for network-based collaborative processes<br /> * developing strategies of communication within network-based collaborative processes<br /> * developing strategies of communication towards the other cultural actors '''Creating cross-project platforms:''' As a way to make things concrete and to initiate cooperative work, Gangplank invites each participant to share questions, desires, practical riddles he / she is dealing with in his / her current productions. The group will give feedback and collectively or in smaller working groups provide support to each participant's work. This support can take different shapes: dramaturgic advice, technical advice, development of a piece of software for show control etc. '''Developing and publishing open show control tools:''' Open source software (like for instance Pure Data) that allows actual communication between computer controlled items (light interfaces, sound interfaces, video players for instance) through the development of common IT protocols are nowadays more widely used. More and more low cost / high power personal interfaces tend to challenge the classical equipment dedicated to show control in the theatres (like for instance the Lanbox DMX controller for lights). We could thus say that the practice of interdisciplinary creation goes together with a greater independence from the venues in terms of show control. Gangplank aims to promote and develop further such tools for the possibilities they open in creative processes and to make them publicly accessible. The development of hardware / software tool-kits for show control is planned. '''Providing a data-base for interdisciplinary artistic processes:''' Gangplank aims to provide organized and rationalized documentation of cooperative artistic processes as well as libraries of downloadable material related to these.<br /> <br /> ==What has been developed==<br /> <br /> '''as viewed by Olivier Heinry:'''<br /> <br /> One of the immediate consequences of the 1st gangplank session was a new adaptative implementation of the moving matrix concept by Bruno Pocheron and Olivier Heinry, in the context of the &quot;Sweet Dreams Are Made&quot; dance show.<br /> <br /> We further developed the idea of moving around a shadow by implementing more complicated patterns, a softpatch saving system and a graphical feedback system. One of the greatest new features we could develop was a video-to-dmx program, which allows us to play / scratch around a video file or use a live camera input that's filtered, adapted and then sent out as a DMX matrix.<br /> <br /> We also further worked on the human interface side of things to control a moving light such as a computer keyboard, joysticks, joypads, a graphical tablet... The first system developed in Essen ( a LED movement tracked by a<br /> webcam) was not easy to travel with, so we dropped it, although we may still reactivate it in the future.<br /> <br /> All in one, these developments allowed us to follow a different light programming paradigm than the usual rather intellectual one and let a more organic and sensitive relationship flourish. Still, on this show we mixed up both relationships, alternating between two symbolic universes.<br /> <br /> Another side effect of the workshop was the implementation of matrix management for sound spatialization by Olivier Heinry, for his &quot;74 minutes&quot; performance, and re-using some of the collective work processes into his own workshops related to teaching interactive art.<br /> <br /> '''as viewed by Maika Knoblich:'''<br /> <br /> For me the first Gangplank in Essen raised questions of control and how technic influences performing arts and vice versa. These questions definitely had an impact on the following projects.<br /> <br /> A first try out happened within the so called &quot;Furnier/Furniture Piece&quot; (Hendrik Quast). For this performance we were replacing the light-board with a Midi Controller, running the show from within a closet on stage. Hereby we were questioning the separation of technics from outside and performers on stage/inside.<br /> <br /> On the project &quot;Gimme Shelter&quot; (Tanzinitiative Hamburg e.V.) Bruno Pocheron and me worked together. We were replacing the light-board with a Midi Controller in order to enable the performers to run the show themselves. Therefore we used pure data to Lanbox objects that were created within the frame of Gangplank. During the show the performers decided how to interfere and by that they shaped the light design according to their action. This was crucial since the performance took place within a durational frame (four hours for each performance), and provided a lot of flexibility.<br /> <br /> '''as viewed by Ruth Waldeyer:'''<br /> <br /> The first project which was strongly influenced by gangplank was The 64 Solobulb Matrix by Florian Bach, Bruno Pocheron and me: Lights for the Sololala Festival 2009 http://www.ausland-berlin.de/sololala-2009: The Sololala light consisted of 8 x 8 light bulbs. We made an open call for light designers to create a solo for each of the bulbs. The choice of intensity, rhythm of the light and length of the solo was completely free. The solos were triggered simultaneously at the beginning of the festival and ran in loops during the whole festival period. The differing lengths of the solos caused the overall picture of the light to shift constantly. Solos were made by Peter Freeman (UK), Jan Fedinger (FI/NL), Maika Knoblich (D), Jan van Giesel (B), Holger Friese (D), Conrad Noack (D), Mona Jas (D) and us.<br /> <br /> ''Impact:'' We fed an input into the matrix which was not controlled by us from the start: solos created by people all over the world whom we did not even know, written independently following a set of rules we provided. This project uses strongly the features of the Lanbox as layers, cuelists, transparency to construct one overall project out of the different solos.<br /> <br /> ''Questions/Problems:''<br /> Not enough solos, so we had to deal with 11 solos instead of 64. <br /> <br /> The most exciting reason for not giving a solo: one person told that as a light designer he feels like god, and he did not find a good solution how to be one of 64 designers of a show and still be god.<br /> <br /> Bumping into technical restrictions of the lanbox: The light did not always fit to the performances on stage, so we used it mainly in the break and sometimes very delicately during the performance: This touches one of the core questions of gangplank: to redefine the relation between performance and tech(nology) - in this case light and performances were not developed together from the start, but the light rather traditionally added in the end.<br /> <br /> '''as viewed by Boris Hauf:'''<br /> <br /> resumed<br /> <br /> The Missing Dance No7 (Litó Walkey)<br /> this was the first piece/project Bruno Pocheron &amp; Boris Hauf worked together. It was also the first piece we worked with a Lanbox. Interesting to revisit this piece from 2005 and rewrite our clunky code from back then.<br /> <br /> new piece<br /> drama queen (zoe knights)<br /> Florian Back lights, rotator<br /> Boris Hauf music (multichannel sound system)<br /> <br /> sound computer sends midi commands to Lanbox (abe live -&gt; PD -&gt; Lanbox). works great, but is oneway system.<br /> <br /> next step is to define a perception analysis.<br /> this turns out to be more complex than anticipated. Olivier Heinry and Boris Hauf are working on this.<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=June-July_2009_Pact_Zollverein_Essen&diff=812 2022-05-11T10:56:46Z

<p>LuziFerase: /* Focus points */</p> <hr /> <div>[[Category:2009]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> It all started with a residence for the project ''Sweet Dreams Are Made'' ([https://www.aughterlony.com/ Simone Aughterlony] and [https://isabelle-schad.net/ Isabelle Schad]), where multimedia artist Olivier Heinry and lighting designer Bruno Pocheron developed a video based control interface for lights. Following the showings at the end of the residence, Pact Zollverein Essen offered the two of them the opportunity and the money for initiating and organizing an informal research gathering of artists, designers and technicians aimed at a collective reflection around their individual practices, an exchange of interests, tools and visions, as well as the development of a common language for making interdisciplinary stage work. The experience was then baptised Gangplank.<br /> <br /> ==Participants==<br /> <br /> Florian Bach<br /> <br /> Nadia Ratsimandresy<br /> <br /> Ruth Waldeyer<br /> <br /> Maika Knoblich<br /> <br /> Mehdi Toutain-Lopez<br /> <br /> Boris Hauf<br /> <br /> Minna Tikkainen<br /> <br /> Isabelle Schad<br /> <br /> Heiko Schramm<br /> <br /> Judith Depaule<br /> <br /> ==Focus points==<br /> <br /> * interactivity and networks<br /> * finding common languages<br /> * strategy for the development of common tools<br /> * circulation and sharing of knowledge<br /> * the principle of open source<br /> * publicizing our practices and the tools we develop<br /> * the place of technology in performance-making<br /> * how to include the notion of formation / education in our interdisciplinary practices<br /> * which contexts, which time frames and which spaces to do work?<br /> * activating the theatre space versus fitting in the theatre space<br /> * continuous work, project-based work or both?<br /> * money and production<br /> * authorship and credits<br /> * structural independence, to which extend?<br /> <br /> === '''Opening spaces for reflection, exchange and debate on interdisciplinary creation processes through:''' ===<br /> <br /> * questioning and confronting ways of doing art and relations to technology in doing art<br /> * developing and documenting dramaturgical, technological and communicative tools for network-based collaborative processes<br /> * developing strategies of communication within network-based collaborative processes<br /> * developing strategies of communication towards the other cultural actors '''Creating cross-project platforms:''' As a way to make things concrete and to initiate cooperative work, Gangplank invites each participant to share questions, desires, practical riddles he / she is dealing with in his / her current productions. The group will give feedback and collectively or in smaller working groups provide support to each participant's work. This support can take different shapes: dramaturgic advice, technical advice, development of a piece of software for show control etc. '''Developing and publishing open show control tools:''' Open source software (like for instance Pure Data) that allows actual communication between computer controlled items (light interfaces, sound interfaces, video players for instance) through the development of common IT protocols are nowadays more widely used. More and more low cost / high power personal interfaces tend to challenge the classical equipment dedicated to show control in the theatres (like for instance the Lanbox DMX controller for lights). We could thus say that the practice of interdisciplinary creation goes together with a greater independence from the venues in terms of show control. Gangplank aims to promote and develop further such tools for the possibilities they open in creative processes and to make them publicly accessible. The development of hardware / software tool-kits for show control is planned. '''Providing a data-base for interdisciplinary artistic processes:''' Gangplank aims to provide organized and rationalized documentation of cooperative artistic processes as well as libraries of downloadable material related to these.<br /> <br /> ==What has been developed==<br /> <br /> '''as viewed by Olivier Heinry:'''<br /> <br /> One of the immediate consequences of the 1st gangplank session was a new adaptative implementation of the moving matrix concept by Bruno Pocheron and Olivier Heinry, in the context of the &quot;Sweet Dreams Are Made&quot; dance show.<br /> <br /> We further developed the idea of moving around a shadow by implementing more complicated patterns, a softpatch saving system and a graphical feedback system. One of the greatest new features we could develop was a video-to-dmx program, which allows us to play / scratch around a video file or use a live camera input that's filtered, adapted and then sent out as a DMX matrix.<br /> <br /> We also further worked on the human interface side of things to control a moving light such as a computer keyboard, joysticks, joypads, a graphical tablet... The first system developed in Essen ( a LED movement tracked by a<br /> webcam) was not easy to travel with, so we dropped it, although we may still reactivate it in the future.<br /> <br /> All in one, these developments allowed us to follow a different light programming paradigm than the usual rather intellectual one and let a more organic and sensitive relationship flourish. Still, on this show we mixed up both relationships, alternating between two symbolic universes.<br /> <br /> Another side effect of the workshop was the implementation of matrix management for sound spatialization by Olivier Heinry, for his &quot;74 minutes&quot; performance, and re-using some of the collective work processes into his own workshops related to teaching interactive art.<br /> <br /> '''as viewed by Maika Knoblich:'''<br /> <br /> For me the first Gangplank in Essen raised questions of control and how technic influences performing arts and vice versa. These questions definitely had an impact on the following projects.<br /> <br /> A first try out happened within the so called &quot;Furnier/Furniture Piece&quot; (Hendrik Quast). For this performance we were replacing the light-board with a Midi Controller, running the show from within a closet on stage. Hereby we were questioning the separation of technics from outside and performers on stage/inside.<br /> <br /> On the project &quot;Gimme Shelter&quot; (Tanzinitiative Hamburg e.V.) Bruno Pocheron and me worked together. We were replacing the light-board with a Midi Controller in order to enable the performers to run the show themselves. Therefore we used pure data to Lanbox objects that were created within the frame of Gangplank. During the show the performers decided how to interfere and by that they shaped the light design according to their action. This was crucial since the performance took place within a durational frame (four hours for each performance), and provided a lot of flexibility.<br /> <br /> '''as viewed by Ruth Waldeyer:'''<br /> <br /> The first project which was strongly influenced by gangplank was The 64 Solobulb Matrix by Florian Bach, Bruno Pocheron and me: Lights for the Sololala Festival 2009 http://www.ausland-berlin.de/sololala-2009: The Sololala light consisted of 8 x 8 light bulbs. We made an open call for light designers to create a solo for each of the bulbs. The choice of intensity, rhythm of the light and length of the solo was completely free. The solos were triggered simultaneously at the beginning of the festival and ran in loops during the whole festival period. The differing lengths of the solos caused the overall picture of the light to shift constantly. Solos were made by Peter Freeman (UK), Jan Fedinger (FI/NL), Maika Knoblich (D), Jan van Giesel (B), Holger Friese (D), Conrad Noack (D), Mona Jas (D) and us.<br /> <br /> ''Impact:'' We fed an input into the matrix which was not controlled by us from the start: solos created by people all over the world whom we did not even know, written independently following a set of rules we provided. This project uses strongly the features of the Lanbox as layers, cuelists, transparency to construct one overall project out of the different solos.<br /> <br /> ''Questions/Problems:''<br /> Not enough solos, so we had to deal with 11 solos instead of 64. <br /> <br /> The most exciting reason for not giving a solo: one person told that as a light designer he feels like god, and he did not find a good solution how to be one of 64 designers of a show and still be god.<br /> <br /> Bumping into technical restrictions of the lanbox: The light did not always fit to the performances on stage, so we used it mainly in the break and sometimes very delicately during the performance: This touches one of the core questions of gangplank: to redefine the relation between performance and tech(nology) - in this case light and performances were not developed together from the start, but the light rather traditionally added in the end.<br /> <br /> '''as viewed by Boris Hauf:'''<br /> <br /> resumed<br /> <br /> The Missing Dance No7 (Litó Walkey)<br /> this was the first piece/project Bruno Pocheron &amp; Boris Hauf worked together. It was also the first piece we worked with a Lanbox. Interesting to revisit this piece from 2005 and rewrite our clunky code from back then.<br /> <br /> new piece<br /> drama queen (zoe knights)<br /> Florian Back lights, rotator<br /> Boris Hauf music (multichannel sound system)<br /> <br /> sound computer sends midi commands to Lanbox (abe live -&gt; PD -&gt; Lanbox). works great, but is oneway system.<br /> <br /> next step is to define a perception analysis.<br /> this turns out to be more complex than anticipated. Olivier Heinry and Boris Hauf are working on this.<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=June-July_2009_Pact_Zollverein_Essen&diff=810 2022-05-11T10:50:12Z

<p>LuziFerase: /* What has been developed */</p> <hr /> <div>[[Category:2009]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> It all started with a residence for the project ''Sweet Dreams Are Made'' ([https://www.aughterlony.com/ Simone Aughterlony] and [https://isabelle-schad.net/ Isabelle Schad]), where multimedia artist Olivier Heinry and lighting designer Bruno Pocheron developed a video based control interface for lights. Following the showings at the end of the residence, Pact Zollverein Essen offered the two of them the opportunity and the money for initiating and organizing an informal research gathering of artists, designers and technicians aimed at a collective reflection around their individual practices, an exchange of interests, tools and visions, as well as the development of a common language for making interdisciplinary stage work. The experience was then baptised Gangplank.<br /> <br /> ==Participants==<br /> <br /> Florian Bach<br /> <br /> Nadia Ratsimandresy<br /> <br /> Ruth Waldeyer<br /> <br /> Maika Knoblich<br /> <br /> Mehdi Toutain-Lopez<br /> <br /> Boris Hauf<br /> <br /> Minna Tikkainen<br /> <br /> Isabelle Schad<br /> <br /> Heiko Schramm<br /> <br /> Judith Depaule<br /> <br /> ==Focus points==<br /> <br /> ==What has been developed==<br /> <br /> '''as viewed by Olivier Heinry:'''<br /> <br /> One of the immediate consequences of the 1st gangplank session was a new adaptative implementation of the moving matrix concept by Bruno Pocheron and Olivier Heinry, in the context of the &quot;Sweet Dreams Are Made&quot; dance show.<br /> <br /> We further developed the idea of moving around a shadow by implementing more complicated patterns, a softpatch saving system and a graphical feedback system. One of the greatest new features we could develop was a video-to-dmx program, which allows us to play / scratch around a video file or use a live camera input that's filtered, adapted and then sent out as a DMX matrix.<br /> <br /> We also further worked on the human interface side of things to control a moving light such as a computer keyboard, joysticks, joypads, a graphical tablet... The first system developed in Essen ( a LED movement tracked by a<br /> webcam) was not easy to travel with, so we dropped it, although we may still reactivate it in the future.<br /> <br /> All in one, these developments allowed us to follow a different light programming paradigm than the usual rather intellectual one and let a more organic and sensitive relationship flourish. Still, on this show we mixed up both relationships, alternating between two symbolic universes.<br /> <br /> Another side effect of the workshop was the implementation of matrix management for sound spatialization by Olivier Heinry, for his &quot;74 minutes&quot; performance, and re-using some of the collective work processes into his own workshops related to teaching interactive art.<br /> <br /> '''as viewed by Maika Knoblich:'''<br /> <br /> For me the first Gangplank in Essen raised questions of control and how technic influences performing arts and vice versa. These questions definitely had an impact on the following projects.<br /> <br /> A first try out happened within the so called &quot;Furnier/Furniture Piece&quot; (Hendrik Quast). For this performance we were replacing the light-board with a Midi Controller, running the show from within a closet on stage. Hereby we were questioning the separation of technics from outside and performers on stage/inside.<br /> <br /> On the project &quot;Gimme Shelter&quot; (Tanzinitiative Hamburg e.V.) Bruno Pocheron and me worked together. We were replacing the light-board with a Midi Controller in order to enable the performers to run the show themselves. Therefore we used pure data to Lanbox objects that were created within the frame of Gangplank. During the show the performers decided how to interfere and by that they shaped the light design according to their action. This was crucial since the performance took place within a durational frame (four hours for each performance), and provided a lot of flexibility.<br /> <br /> '''as viewed by Ruth Waldeyer:'''<br /> <br /> The first project which was strongly influenced by gangplank was The 64 Solobulb Matrix by Florian Bach, Bruno Pocheron and me: Lights for the Sololala Festival 2009 http://www.ausland-berlin.de/sololala-2009: The Sololala light consisted of 8 x 8 light bulbs. We made an open call for light designers to create a solo for each of the bulbs. The choice of intensity, rhythm of the light and length of the solo was completely free. The solos were triggered simultaneously at the beginning of the festival and ran in loops during the whole festival period. The differing lengths of the solos caused the overall picture of the light to shift constantly. Solos were made by Peter Freeman (UK), Jan Fedinger (FI/NL), Maika Knoblich (D), Jan van Giesel (B), Holger Friese (D), Conrad Noack (D), Mona Jas (D) and us.<br /> <br /> ''Impact:'' We fed an input into the matrix which was not controlled by us from the start: solos created by people all over the world whom we did not even know, written independently following a set of rules we provided. This project uses strongly the features of the Lanbox as layers, cuelists, transparency to construct one overall project out of the different solos.<br /> <br /> ''Questions/Problems:''<br /> Not enough solos, so we had to deal with 11 solos instead of 64. <br /> <br /> The most exciting reason for not giving a solo: one person told that as a light designer he feels like god, and he did not find a good solution how to be one of 64 designers of a show and still be god.<br /> <br /> Bumping into technical restrictions of the lanbox: The light did not always fit to the performances on stage, so we used it mainly in the break and sometimes very delicately during the performance: This touches one of the core questions of gangplank: to redefine the relation between performance and tech(nology) - in this case light and performances were not developed together from the start, but the light rather traditionally added in the end.<br /> <br /> '''as viewed by Boris Hauf:'''<br /> <br /> resumed<br /> <br /> The Missing Dance No7 (Litó Walkey)<br /> this was the first piece/project Bruno Pocheron &amp; Boris Hauf worked together. It was also the first piece we worked with a Lanbox. Interesting to revisit this piece from 2005 and rewrite our clunky code from back then.<br /> <br /> new piece<br /> drama queen (zoe knights)<br /> Florian Back lights, rotator<br /> Boris Hauf music (multichannel sound system)<br /> <br /> sound computer sends midi commands to Lanbox (abe live -&gt; PD -&gt; Lanbox). works great, but is oneway system.<br /> <br /> next step is to define a perception analysis.<br /> this turns out to be more complex than anticipated. Olivier Heinry and Boris Hauf are working on this.<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=June-July_2009_Pact_Zollverein_Essen&diff=809 2022-05-11T10:44:43Z

<p>LuziFerase: /* What has been developed */</p> <hr /> <div>[[Category:2009]]<br /> &lt;span style=&quot;color:blue&quot;&gt;''This article is still under construction.'' &lt;/span&gt;<br /> <br /> ==Location and circumstances==<br /> It all started with a residence for the project ''Sweet Dreams Are Made'' ([https://www.aughterlony.com/ Simone Aughterlony] and [https://isabelle-schad.net/ Isabelle Schad]), where multimedia artist Olivier Heinry and lighting designer Bruno Pocheron developed a video based control interface for lights. Following the showings at the end of the residence, Pact Zollverein Essen offered the two of them the opportunity and the money for initiating and organizing an informal research gathering of artists, designers and technicians aimed at a collective reflection around their individual practices, an exchange of interests, tools and visions, as well as the development of a common language for making interdisciplinary stage work. The experience was then baptised Gangplank.<br /> <br /> ==Participants==<br /> <br /> Florian Bach<br /> <br /> Nadia Ratsimandresy<br /> <br /> Ruth Waldeyer<br /> <br /> Maika Knoblich<br /> <br /> Mehdi Toutain-Lopez<br /> <br /> Boris Hauf<br /> <br /> Minna Tikkainen<br /> <br /> Isabelle Schad<br /> <br /> Heiko Schramm<br /> <br /> Judith Depaule<br /> <br /> ==Focus points==<br /> <br /> ==What has been developed==<br /> <br /> as viewed by Olivier Heinry:<br /> One of the immediate consequences of the 1st gangplank session was a new adaptative implementation of the moving matrix concept by Bruno Pocheron and Olivier Heinry, in the context of the &quot;Sweet Dreams Are Made&quot; dance show.<br /> We further developed the idea of moving around a shadow by implementing more complicated patterns, a softpatch saving system and a graphical feedback system. One of the greatest new features we could develop was a video-to-dmx program, which allows us to play / scratch around a video file or use a live camera input that's filtered, adapted and then sent out as a DMX matrix.<br /> We also further worked on the human interface side of things to control a moving light such as a computer keyboard, joysticks, joypads, a graphical tablet... The first system developed in Essen ( a LED movement tracked by a<br /> webcam) was not easy to travel with, so we dropped it, although we may still reactivate it in the future.<br /> All in one, these developments allowed us to follow a different light programming paradigm than the usual rather intellectual one and let a more organic and sensitive relationship flourish. Still, on this show we mixed up both relationships, alternating between two symbolic universes.<br /> Another side effect of the workshop was the implementation of matrix management for sound spatialization by Olivier Heinry, for his &quot;74 minutes&quot; performance, and re-using some of the collective work processes into his own workshops related to teaching interactive art.<br /> as viewed by Maika Knoblich:<br /> For me the first Gangplank in Essen raised questions of control and how technic influences performing arts and vice versa. These questions definitely had an impact on the following projects.<br /> A first try out happened within the so called &quot;Furnier/Furniture Piece&quot; (Hendrik Quast). For this performance we were replacing the light-board with a Midi Controller, running the show from within a closet on stage. Hereby we were questioning the separation of technics from outside and performers on stage/inside.<br /> On the project &quot;Gimme Shelter&quot; (Tanzinitiative Hamburg e.V.) Bruno Pocheron and me worked together. We were replacing the light-board with a Midi Controller in order to enable the performers to run the show themselves. Therefore we used pure data to Lanbox objects that were created within the frame of Gangplank. During the show the performers decided how to interfere and by that they shaped the light design according to their action. This was crucial since the performance took place within a durational frame (four hours for each performance), and provided a lot of flexibility.<br /> as viewed by Ruth Waldeyer:<br /> The first project which was strongly influenced by gangplank was The 64 Solobulb Matrix by Florian Bach, Bruno Pocheron and me: Lights for the Sololala Festival 2009 http://www.ausland-berlin.de/sololala-2009: The Sololala light consisted of 8 x 8 light bulbs. We made an open call for light designers to create a solo for each of the bulbs. The choice of intensity, rhythm of the light and length of the solo was completely free. The solos were triggered simultaneously at the beginning of the festival and ran in loops during the whole festival period. The differing lengths of the solos caused the overall picture of the light to shift constantly. Solos were made by Peter Freeman (UK), Jan Fedinger (FI/NL), Maika Knoblich (D), Jan van Giesel (B), Holger Friese (D), Conrad Noack (D), Mona Jas (D) and us.<br /> Impact: We fed an input into the matrix which was not controlled by us from the start: solos created by people all over the world whom we did not even know, written independently following a set of rules we provided. This project uses strongly the features of the Lanbox as layers, cuelists, transparency to construct one overall project out of the different solos.<br /> Questions/Problems:<br /> Not enough solos, so we had to deal with 11 solos instead of 64. The most<br /> <br /> exciting reason for not giving a solo: one person told that as a light designer he feels like god, and he did not find a good solution how to be one of 64 designers of a show and still be god.<br /> Bumping into technical restrictions of the lanbox.<br /> The light did not always fit to the performances on stage, so we used it mainly in the break and sometimes very delicately during the performance: This touches one of the core questions of gangplank: to redefine the relation between performance and tech(nology) - in this case light and performances were not developed together from the start, but the light rather traditionally added in the end.<br /> as viewed by Boris Hauf:<br /> resumed<br /> The Missing Dance No7 (Litó Walkey)<br /> this was the first piece/project Bruno Pocheron &amp; Boris Hauf worked together. It was also the first piece we worked with a Lanbox. Interesting to revisit this piece from 2005 and rewrite our clunky code from back then.<br /> new piece<br /> drama queen (zoe knights)<br /> Florian Back lights, rotator<br /> Boris Hauf music (multichannel sound system)<br /> sound computer sends midi commands to Lanbox (abe live -&gt; PD -&gt; Lanbox). works great, but is oneway system.<br /> next step is to define a perception analysis.<br /> this turns out to be more complex than anticipated. Olivier Heinry and Boris Hauf are working on this.<br /> <br /> ==References==</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Dreamed_Apparatus&diff=384 2021-04-15T15:35:24Z

<p>LuziFerase: /* Lighting Concept */</p> <hr /> <div>=Dreamed Apparatus=<br /> ===Description===<br /> ===Lighting Concept===<br /> We worked on the reflection of light on sand, and continued investigating direct interactions between light, sound and performer together with Uli Ertl as sound designer and partner in crime in the interactive machinery. We made switches on the floor which, when stepped on, would trigger a light and a sound jukebox which was the stage. Lights and sounds could in this way be operated from on stage - both by the performers and by us light and sound operators - which made us lose our FOH perspective and gain the experience of being inside of what you want to control. Or you could just call it a change of perspective. As the piece was done frontal - i.e. the audience is watching from one perspective - I somehow wanted to share their perspective. In the end Uli and me where swapping positions, always somebody behind the audience.<br /> <br /> ===Guts===</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Dreamed_Apparatus&diff=383 2021-04-15T15:33:08Z

<p>LuziFerase: /* Lighting Concept */</p> <hr /> <div>=Dreamed Apparatus=<br /> ===Description===<br /> ===Lighting Concept===<br /> We worked on the reflection of light on sand, and continued investigating direct interactions between light, sound and performer together with Uli Ertl as sound designer and partner in crime in the interactive machinery. We made switches on the floor which, when stepped on, would trigger a light and a sound jukebox which was the stage. Lights and sounds could in this way be operated from on stage - both by the performers and by us light and sound operators - which made us lose our FOH perspective and gain the experience of being inside of what you want to control. Or you could just call it a change of perspective.<br /> <br /> ===Guts===</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Dreamed_Apparatus&diff=382 2021-04-15T15:31:34Z

<p>LuziFerase: </p> <hr /> <div>=Dreamed Apparatus=<br /> ===Description===<br /> ===Lighting Concept===<br /> We worked on the reflection of light on sand, and continued investigating direct interactions between light, sound and performer. This time with Uli Ertl as sound designer and partner in crime in the interactive machinery. We made switches on the floor which, when stepped on, would trigger a light and a sound jukebox which was the stage. Lights and sounds could in this way be operated from on stage - both by the performers and by us light and sound operators - which made us lose our FOH perspective.<br /> ===Guts===</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Dreamed_Apparatus&diff=381 2021-04-15T15:27:36Z

<p>LuziFerase: </p> <hr /> <div>Dreamed Apparatus<br /> <br /> Dreamed apparatus – a digression from the circle. Colours. We worked on the reflection of light on sand, and continued investigating direct interactions between light, sound and performer. This time with Uli Ertl as sound designer and partner in crime in the interactive machinery. We made switches on the floor which, when stepped on, would trigger a light and a sound jukebox which was the stage. Lights and sounds could in this way be operated from on stage. This helped me understand the advantage of the position all the way at the back, behind the audience: you actually get to see what you create.</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/projects&diff=380 2021-04-15T15:26:23Z

<p>LuziFerase: </p> <hr /> <div>'''Light- and Soundinstallations'''<br /> <br /> 2019 <br /> <br /> [[User:LuziFerase/Papier Falten|Papier. Falten.]] With [https://c-e-s-c-e-s.tumblr.com/ Christina Ertl-Shirley] im Rahmen der Austellung [https://c-e-s-c-e-s.tumblr.com/search/power+cage Power Cage]<br /> <br /> Experimentalraum Aquarium/State Studio Berlin<br /> <br /> 2018 <br /> <br /> Soundbits for Soundinstallation [https://escalation.blackblogs.org/en/home-2/ Escalation] Balduintreppe, Hamburg with Lorrie Janssen and Uli Ertl<br /> <br /> '''Lights'''<br /> <br /> 2020/21<br /> <br /> The Living Room for [https://clementlayes.com/ Clement Layes] / Cie [https://www.publicinprivate.com/ Public in Private]<br /> <br /> 2019<br /> <br /> OnOn for Clement Layes / Cie Public in Private<br /> <br /> Feeding Back for David Brandstätter / [http://www.s-h-i-f-t-s.org/ Cie Shifts]<br /> <br /> 2018<br /> <br /> Festival Labor Sonor Choreographing Sound / Ballhaus Berlin<br /> <br /> Emergency Artist for Clement Layes / Cie Public in Private<br /> <br /> Konzert Public People / Splitter Orchester<br /> <br /> 2017<br /> <br /> The Great Outdoors for [https://anniedorsen.com/ Annie Dorsen]<br /> <br /> Raumfelder für David Brandstätter / Cie Shifts<br /> <br /> Eternal Return for Clement Layes / Cie Public in Private<br /> <br /> 2016<br /> <br /> Festival [https://laborsonor.de/ Labor Sonor] Moving Music <br /> <br /> Splitter Music Festival<br /> <br /> 2015<br /> <br /> Yesterday Tomorrow (with [[Bruno Pocheron]]) for Annie Dorsen <br /> <br /> Title for Clement Layes / Cie Public in Private<br /> <br /> Festival Labor Sonor Translating Music<br /> <br /> 2014<br /> <br /> Krump ´n Break Release for Cie Shifts<br /> <br /> Dreamed Apparatus for Clement Layes / Cie Public in Private<br /> <br /> 2013<br /> <br /> Seven Thirty in Tights for [http://fredericgies.com/ Frédéric Gies]<br /> <br /> 2012<br /> <br /> Pulling Strings (with [http://www.florianbach.net/works Florian Bach]) for Eva Meyer Keller<br /> <br /> A piece of Work (with Bruno Pocheron) for Annie Dorsen<br /> <br /> Things that surround us for Clement Layes / Cie Public in Private<br /> <br /> Little did I know that I, ere or since, ever should speak mouthless for Frédéric Gies<br /> <br /> 2011<br /> <br /> To Allege for Clement Layes / Cie Public in Private<br /> <br /> Magical (with Bruno Pocheron) for [https://www.wtkb.org/ Anne Juren]<br /> <br /> 2010<br /> <br /> Allege for Clement Layes / Cie Public in Private <br /> <br /> 2009<br /> <br /> Collective Sensations for [https://www.alicechauchat.net/ Alice Chauchat]<br /> <br /> Album für Frédéric Gies<br /> <br /> [http://www.florianbach.net/collaborations/sololala The 64 Solo Bulb Matrix] (with Florian Bach) for Sololala (Festival)<br /> <br /> 2008<br /> <br /> Dance for Frédéric Gies<br /> <br /> 2007<br /> <br /> The Breastpiece for Alice Chauchat/Frederic Gies<br /> <br /> <br /> '''Text'''<br /> <br /> [https://issuu.com/publicinprivate2020/docs/12yearspublicinprivate/130 &quot;On Lights&quot;] describing the collaboration with Clement Layes</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Dreamed_Apparatus&diff=379 2021-04-15T15:23:06Z

<p>LuziFerase: Created page with &quot;Dreamed Apparatus Dreamed apparatus – a digression from the circle. Colours. We worked on the reflection of light on sand, and continued investigating direct interactions...&quot;</p> <hr /> <div>Dreamed Apparatus<br /> <br /> Dreamed apparatus – a digression from the circle. Colours. We worked on the reflection of light on sand, and continued investigating direct interactions between light, sound and performer. This time with Uli Ertl as sound designer and partner in crime in the interactive machinery. We made switches on the floor which, when stepped on, would trigger a light and a sound jukebox which was the stage. Lights and sounds could in this way be operated from on stage. This helped me understand the advantage of the position all the way at the back, behind the audience: you actually get to see what you create.<br /> <br /> [[https://issuu.com/publicinprivate2020/docs/12yearspublicinprivate/130]]</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/projects&diff=378 2021-04-15T15:17:10Z

<p>LuziFerase: </p> <hr /> <div>'''Light- and Soundinstallations'''<br /> <br /> 2019 <br /> <br /> [[User:LuziFerase/Papier Falten|Papier. Falten.]] With [https://c-e-s-c-e-s.tumblr.com/ Christina Ertl-Shirley] im Rahmen der Austellung [https://c-e-s-c-e-s.tumblr.com/search/power+cage Power Cage]<br /> <br /> Experimentalraum Aquarium/State Studio Berlin<br /> <br /> 2018 <br /> <br /> Soundbits for Soundinstallation [https://escalation.blackblogs.org/en/home-2/ Escalation] Balduintreppe, Hamburg with Lorrie Janssen and Uli Ertl<br /> <br /> '''Lights'''<br /> <br /> 2020/21<br /> <br /> The Living Room for [https://clementlayes.com/ Clement Layes] / Cie [https://www.publicinprivate.com/ Public in Private]<br /> <br /> 2019<br /> <br /> OnOn for Clement Layes / Cie Public in Private<br /> <br /> Feeding Back for David Brandstätter / [http://www.s-h-i-f-t-s.org/ Cie Shifts]<br /> <br /> 2018<br /> <br /> Festival Labor Sonor Choreographing Sound / Ballhaus Berlin<br /> <br /> Emergency Artist for Clement Layes / Cie Public in Private<br /> <br /> Konzert Public People / Splitter Orchester<br /> <br /> 2017<br /> <br /> The Great Outdoors for [https://anniedorsen.com/ Annie Dorsen]<br /> <br /> Raumfelder für David Brandstätter / Cie Shifts<br /> <br /> Eternal Return for Clement Layes / Cie Public in Private<br /> <br /> 2016<br /> <br /> Festival [https://laborsonor.de/ Labor Sonor] Moving Music <br /> <br /> Splitter Music Festival<br /> <br /> 2015<br /> <br /> Yesterday Tomorrow (with [[Bruno Pocheron]]) for Annie Dorsen <br /> <br /> Title for Clement Layes / Cie Public in Private<br /> <br /> Festival Labor Sonor Translating Music<br /> <br /> 2014<br /> <br /> Krump ´n Break Release for Cie Shifts<br /> <br /> Dreamed Apparatus for Clement Layes / Cie Public in Private<br /> <br /> 2013<br /> <br /> Seven Thirty in Tights for [http://fredericgies.com/ Frédéric Gies]<br /> <br /> 2012<br /> <br /> Pulling Strings (with [http://www.florianbach.net/works Florian Bach]) for Eva Meyer Keller<br /> <br /> A piece of Work (with Bruno Pocheron) for Annie Dorsen<br /> <br /> Things that surround us for Clement Layes / Cie Public in Private<br /> <br /> Little did I know that I, ere or since, ever should speak mouthless for Frédéric Gies<br /> <br /> 2011<br /> <br /> To Allege for Clement Layes / Cie Public in Private<br /> <br /> Magical (with Bruno Pocheron) for [https://www.wtkb.org/ Anne Juren]<br /> <br /> 2010<br /> <br /> Allege for Clement Layes / Cie Public in Private <br /> <br /> 2009<br /> <br /> Collective Sensations for [https://www.alicechauchat.net/ Alice Chauchat]<br /> <br /> Album für Frédéric Gies<br /> <br /> [http://www.florianbach.net/collaborations/sololala The 64 Solo Bulb Matrix] (with Florian Bach) for Sololala (Festival)<br /> <br /> 2008<br /> <br /> Dance for Frédéric Gies<br /> <br /> 2007<br /> <br /> The Breastpiece for Alice Chauchat/Frederic Gies</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/projects&diff=377 2021-04-15T15:15:14Z

<p>LuziFerase: </p> <hr /> <div>'''Light- and Soundinstallations'''<br /> <br /> 2019 <br /> <br /> [[User:LuziFerase/Papier Falten|Papier. Falten.]] With [https://c-e-s-c-e-s.tumblr.com/ Christina Ertl-Shirley] im Rahmen der Austellung [https://c-e-s-c-e-s.tumblr.com/search/power+cage Power Cage]<br /> <br /> Experimentalraum Aquarium/State Studio Berlin<br /> <br /> 2018 <br /> <br /> Soundbits for Soundinstallation [https://escalation.blackblogs.org/en/home-2/ Escalation] Balduintreppe, Hamburg with Lorrie Janssen and Uli Ertl<br /> <br /> '''Lights'''<br /> <br /> 2020/21<br /> <br /> The Living Room for [https://clementlayes.com/ Clement Layes] / Cie [https://www.publicinprivate.com/ Public in Private]<br /> <br /> 2019<br /> <br /> OnOn for Clement Layes / Cie Public in Private<br /> <br /> Feeding Back for David Brandstätter / [http://www.s-h-i-f-t-s.org/ Cie Shifts]<br /> <br /> 2018<br /> <br /> Festival Labor Sonor Choreographing Sound / Ballhaus Berlin<br /> <br /> Emergency Artist for Clement Layes / Cie Public in Private<br /> <br /> Konzert Public People / Splitter Orchester<br /> <br /> 2017<br /> <br /> The Great Outdoors for [https://anniedorsen.com/ Annie Dorsen]<br /> <br /> Raumfelder für David Brandstätter / Cie Shifts<br /> <br /> Eternal Return for Clement Layes / Cie Public in Private<br /> <br /> 2016<br /> <br /> Festival [https://laborsonor.de/ Labor Sonor] Moving Music <br /> <br /> Splitter Music Festival<br /> <br /> 2015<br /> <br /> Yesterday Tomorrow (with [[Bruno Pocheron]]) for Annie Dorsen <br /> <br /> Title for Clement Layes / Cie Public in Private<br /> <br /> Festival Labor Sonor Translating Music<br /> <br /> 2014<br /> <br /> Krump ´n Break Release for Cie Shifts<br /> <br /> Dreamed Apparatus for Clement Layes / Cie Public in Private<br /> <br /> 2013<br /> <br /> Seven Thirty in Tights for [http://fredericgies.com/ Frédéric Gies]<br /> <br /> 2012<br /> <br /> Pulling Strings (with [http://www.florianbach.net/works Florian Bach]) for Eva Meyer Keller<br /> <br /> A piece of Work (with Bruno Pocheron) for Annie Dorsen<br /> <br /> Things that surround us for Clement Layes / Cie Public in Private<br /> <br /> Little did I know that I, ere or since, ever should speak mouthless for Frédéric Gies<br /> <br /> 2011<br /> <br /> To Allege for Clement Layes / Cie Public in Private<br /> <br /> Magical (with Bruno Pocheron) for [https://www.wtkb.org/ Anne Juren]<br /> <br /> 2010<br /> <br /> Allege for Clement Layes / Cie Public in Private <br /> <br /> 2009<br /> <br /> Collective Sensations for [https://www.alicechauchat.net/ Alice Chauchat]<br /> <br /> Album für Frédéric Gies<br /> <br /> The 64 Solo Bulb Matrix (with Florian Bach) for Sololala (Festival)<br /> <br /> 2008<br /> <br /> Dance for Frédéric Gies<br /> <br /> 2007<br /> <br /> The Breastpiece for Alice Chauchat/Frederic Gies</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/projects&diff=376 2021-04-15T15:14:50Z

<p>LuziFerase: </p> <hr /> <div>'''Light- and Soundinstallations'''<br /> <br /> 2019 <br /> <br /> [[User:LuziFerase/Papier Falten|Papier. Falten.]] With [https://c-e-s-c-e-s.tumblr.com/ Christina Ertl-Shirley] im Rahmen der Austellung [https://c-e-s-c-e-s.tumblr.com/search/power+cage Power Cage]<br /> <br /> Experimentalraum Aquarium/State Studio Berlin<br /> <br /> 2018 <br /> <br /> Soundbits for Soundinstallation [https://escalation.blackblogs.org/en/home-2/ Escalation] Balduintreppe, Hamburg with Lorrie Janssen and Uli Ertl<br /> <br /> '''Lights'''<br /> <br /> 2020/21<br /> <br /> The Living Room für [https://clementlayes.com/ Clement Layes] / Cie [https://www.publicinprivate.com/ Public in Private]<br /> <br /> 2019<br /> <br /> OnOn for Clement Layes / Cie Public in Private<br /> <br /> Feeding Back for David Brandstätter / [http://www.s-h-i-f-t-s.org/ Cie Shifts]<br /> <br /> 2018<br /> <br /> Festival Labor Sonor Choreographing Sound / Ballhaus Berlin<br /> <br /> Emergency Artist for Clement Layes / Cie Public in Private<br /> <br /> Konzert Public People / Splitter Orchester<br /> <br /> 2017<br /> <br /> The Great Outdoors for [https://anniedorsen.com/ Annie Dorsen]<br /> <br /> Raumfelder für David Brandstätter / Cie Shifts<br /> <br /> Eternal Return for Clement Layes / Cie Public in Private<br /> <br /> 2016<br /> <br /> Festival [https://laborsonor.de/ Labor Sonor] Moving Music <br /> <br /> Splitter Music Festival<br /> <br /> 2015<br /> <br /> Yesterday Tomorrow (with [[Bruno Pocheron]]) for Annie Dorsen <br /> <br /> Title for Clement Layes / Cie Public in Private<br /> <br /> Festival Labor Sonor Translating Music<br /> <br /> 2014<br /> <br /> Krump ´n Break Release for Cie Shifts<br /> <br /> Dreamed Apparatus for Clement Layes / Cie Public in Private<br /> <br /> 2013<br /> <br /> Seven Thirty in Tights for [http://fredericgies.com/ Frédéric Gies]<br /> <br /> 2012<br /> <br /> Pulling Strings (with [http://www.florianbach.net/works Florian Bach]) for Eva Meyer Keller<br /> <br /> A piece of Work (with Bruno Pocheron) for Annie Dorsen<br /> <br /> Things that surround us for Clement Layes / Cie Public in Private<br /> <br /> Little did I know that I, ere or since, ever should speak mouthless for Frédéric Gies<br /> <br /> 2011<br /> <br /> To Allege for Clement Layes / Cie Public in Private<br /> <br /> Magical (with Bruno Pocheron) for [https://www.wtkb.org/ Anne Juren]<br /> <br /> 2010<br /> <br /> Allege for Clement Layes / Cie Public in Private <br /> <br /> 2009<br /> <br /> Collective Sensations for [https://www.alicechauchat.net/ Alice Chauchat]<br /> <br /> Album für Frédéric Gies<br /> <br /> The 64 Solo Bulb Matrix (with Florian Bach) for Sololala (Festival)<br /> <br /> 2008<br /> <br /> Dance for Frédéric Gies<br /> <br /> 2007<br /> <br /> The Breastpiece for Alice Chauchat/Frederic Gies</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/projects&diff=375 2021-04-15T15:10:32Z

<p>LuziFerase: </p> <hr /> <div>'''Light- and Soundinstallations'''<br /> <br /> 2019 <br /> <br /> [[User:LuziFerase/Papier Falten|Papier. Falten.]] Mit [https://c-e-s-c-e-s.tumblr.com/ Christina Ertl-Shirley] im Rahmen der Austellung [https://c-e-s-c-e-s.tumblr.com/search/power+cage Power Cage]<br /> <br /> Experimentalraum Aquarium im State Studio Berlin<br /> <br /> 2018 <br /> <br /> Soundbits for Soundinstallation [https://escalation.blackblogs.org/en/home-2/ Escalation] Balduintreppe, Hamburg with Lorrie Janssen and Uli Ertl<br /> <br /> '''Lights'''<br /> <br /> 2020/21<br /> <br /> The Living Room für [https://clementlayes.com/ Clement Layes] / Cie [https://www.publicinprivate.com/ Public in Private]<br /> <br /> 2019<br /> <br /> OnOn für Clement Layes / Cie Public in Private<br /> <br /> Feeding Back für David Brandstätter / [http://www.s-h-i-f-t-s.org/ Cie Shifts]<br /> <br /> 2018<br /> <br /> Festival Labor Sonor Choreographing Sound / Ballhaus Berlin<br /> <br /> Emergency Artist für Clement Layes / Cie Public in Private<br /> <br /> Konzert Public People / Splitter Orchester<br /> <br /> 2017<br /> <br /> The Great Outdoors für [https://anniedorsen.com/ Annie Dorsen]<br /> <br /> Raumfelder für David Brandstätter / Cie Shifts<br /> <br /> Eternal Return für Clement Layes / Cie Public in Private<br /> <br /> 2016<br /> <br /> Festival [https://laborsonor.de/ Labor Sonor] Moving Music <br /> <br /> Splitter Music Festival<br /> <br /> 2015<br /> <br /> Yesterday Tomorrow (mit [[Bruno Pocheron]]) für Annie Dorsen <br /> <br /> Title für Clement Layes / Cie Public in Private<br /> <br /> Festival Labor Sonor Translating Music<br /> <br /> 2014<br /> <br /> Krump ´n Break Release für Cie Shifts<br /> <br /> Dreamed Apparatus für Clement Layes / Cie Public in Private<br /> <br /> 2013<br /> <br /> Seven Thirty in Tights für [http://fredericgies.com/ Frédéric Gies]<br /> <br /> 2012<br /> <br /> Pulling Strings (with [http://www.florianbach.net/works Florian Bach]) für Eva Meyer Keller<br /> <br /> A piece of Work (with Bruno Pocheron) for Annie Dorsen<br /> <br /> Things that surround us für Clement Layes / Cie Public in Private<br /> <br /> Little did I know that I, ere or since, ever should speak mouthless für Frédéric Gies<br /> <br /> 2011<br /> <br /> To Allege für Clement Layes / Cie Public in Private<br /> <br /> Magical (With Bruno Pocheron) für [https://www.wtkb.org/ Anne Juren]<br /> <br /> 2010<br /> <br /> Allege für Clement Layes / Cie Public in Private <br /> <br /> 2009<br /> <br /> Collective Sensations für [https://www.alicechauchat.net/ Alice Chauchat]<br /> <br /> Album für Frédéric Gies<br /> <br /> The 64 Solo Bulb Matrix (with Florian Bach) für Sololala (Festival)<br /> <br /> 2008<br /> <br /> Dance für Frédéric Gies<br /> <br /> 2007<br /> <br /> The Breastpiece für Alice Chauchat/Frederic Gies</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/projects&diff=374 2021-04-15T15:09:49Z

<p>LuziFerase: </p> <hr /> <div>'''Light- and Soundinstallations'''<br /> <br /> 2019 <br /> <br /> [[Papier. Falten.]] Mit [https://c-e-s-c-e-s.tumblr.com/ Christina Ertl-Shirley] im Rahmen der Austellung [https://c-e-s-c-e-s.tumblr.com/search/power+cage Power Cage]<br /> <br /> Experimentalraum Aquarium im State Studio Berlin<br /> <br /> 2018 <br /> <br /> Soundbits for Soundinstallation [https://escalation.blackblogs.org/en/home-2/ Escalation] Balduintreppe, Hamburg with Lorrie Janssen and Uli Ertl<br /> <br /> '''Lights'''<br /> <br /> 2020/21<br /> <br /> The Living Room für [https://clementlayes.com/ Clement Layes] / Cie [https://www.publicinprivate.com/ Public in Private]<br /> <br /> 2019<br /> <br /> OnOn für Clement Layes / Cie Public in Private<br /> <br /> Feeding Back für David Brandstätter / [http://www.s-h-i-f-t-s.org/ Cie Shifts]<br /> <br /> 2018<br /> <br /> Festival Labor Sonor Choreographing Sound / Ballhaus Berlin<br /> <br /> Emergency Artist für Clement Layes / Cie Public in Private<br /> <br /> Konzert Public People / Splitter Orchester<br /> <br /> 2017<br /> <br /> The Great Outdoors für [https://anniedorsen.com/ Annie Dorsen]<br /> <br /> Raumfelder für David Brandstätter / Cie Shifts<br /> <br /> Eternal Return für Clement Layes / Cie Public in Private<br /> <br /> 2016<br /> <br /> Festival [https://laborsonor.de/ Labor Sonor] Moving Music <br /> <br /> Splitter Music Festival<br /> <br /> 2015<br /> <br /> Yesterday Tomorrow (mit [[Bruno Pocheron]]) für Annie Dorsen <br /> <br /> Title für Clement Layes / Cie Public in Private<br /> <br /> Festival Labor Sonor Translating Music<br /> <br /> 2014<br /> <br /> Krump ´n Break Release für Cie Shifts<br /> <br /> Dreamed Apparatus für Clement Layes / Cie Public in Private<br /> <br /> 2013<br /> <br /> Seven Thirty in Tights für [http://fredericgies.com/ Frédéric Gies]<br /> <br /> 2012<br /> <br /> Pulling Strings (with [http://www.florianbach.net/works Florian Bach]) für Eva Meyer Keller<br /> <br /> A piece of Work (with Bruno Pocheron) for Annie Dorsen<br /> <br /> Things that surround us für Clement Layes / Cie Public in Private<br /> <br /> Little did I know that I, ere or since, ever should speak mouthless für Frédéric Gies<br /> <br /> 2011<br /> <br /> To Allege für Clement Layes / Cie Public in Private<br /> <br /> Magical (With Bruno Pocheron) für [https://www.wtkb.org/ Anne Juren]<br /> <br /> 2010<br /> <br /> Allege für Clement Layes / Cie Public in Private <br /> <br /> 2009<br /> <br /> Collective Sensations für [https://www.alicechauchat.net/ Alice Chauchat]<br /> <br /> Album für Frédéric Gies<br /> <br /> The 64 Solo Bulb Matrix (with Florian Bach) für Sololala (Festival)<br /> <br /> 2008<br /> <br /> Dance für Frédéric Gies<br /> <br /> 2007<br /> <br /> The Breastpiece für Alice Chauchat/Frederic Gies</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Papier_Falten&diff=371 2021-04-15T14:46:44Z

<p>LuziFerase: /* Software */</p> <hr /> <div><br /> [[File:Papier.Falten..jpg|thumb]]<br /> <br /> ==Description==<br /> <br /> 2019 we built a deambulatory shell consisting of 150 m2 paper, 16 pillow speakers, 1 bass speaker, 15,6 m Alu-H-Profile, 13,6 m LED-Strip, 1000 magnets, 300 foldback paper clips, 3 ultrasonic sensors, fishing line<br /> <br /> Around 105 million years ago the female paper boats* begin to make a fine shell that they hold on to with their arms. They leave caves and crevices behind them and head towards the water surface. To avoid attracting attention as flotsam, they have acquired camouflage: The thin membrane skin they stretch over their shells can change color. At times, the Argonauta females form chains and drift together through the sea. 180 years ago, seamstress and amateur naturalist Jeanne Villepreux-Power proves that the paper boats produce, hold and repair their own shell.<br /> <br /> concept and realisation: Christina Ertl-Shirley und Ruth Waldeyer with Kim Scheunemann @ the exhibition Power Cage – Experimentalraum Aquarium im State Studio Berlin<br /> <br /> ==Light Idea==<br /> <br /> A deambulatory structure of paper which is lit from the inside, getting darker the closer you get to it<br /> <br /> ==Physical Set Up==<br /> <br /> A metal structure made of aluminium H profiles hanging from the ceiling, used as a skeleton for the paper folds and as a cooling body for the LED strips<br /> <br /> Here you find [[Media:Papier.Falten._Planning.pdf | The Plan]] and [[Media:Papier.Falten Skizze.pdf | Drafts Of The Final Shape]]<br /> <br /> ==Guts==<br /> <br /> ===Hardware=== <br /> ultrasonic sensors, Arduinos, a [[Raspberry Pi]] + [[BitWizard DMX Interface]] for light controlling, Raspberry Pi as Gateway. Once it´s up and running, it´s a stand alone system, in order to restart a laptop and router are needed<br /> <br /> ===Software=== <br /> <br /> &lt;span style=&quot;color:blue&quot;&gt; ''This Part is still under construction'' &lt;/span&gt;<br /> <br /> [[QLC+]], pythonOSC, [[MySensors]]<br /> <br /> https://www.mysensors.org/build/connect_radio</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Papier_Falten&diff=370 2021-04-15T14:45:41Z

<p>LuziFerase: /* Software */</p> <hr /> <div><br /> [[File:Papier.Falten..jpg|thumb]]<br /> <br /> ==Description==<br /> <br /> 2019 we built a deambulatory shell consisting of 150 m2 paper, 16 pillow speakers, 1 bass speaker, 15,6 m Alu-H-Profile, 13,6 m LED-Strip, 1000 magnets, 300 foldback paper clips, 3 ultrasonic sensors, fishing line<br /> <br /> Around 105 million years ago the female paper boats* begin to make a fine shell that they hold on to with their arms. They leave caves and crevices behind them and head towards the water surface. To avoid attracting attention as flotsam, they have acquired camouflage: The thin membrane skin they stretch over their shells can change color. At times, the Argonauta females form chains and drift together through the sea. 180 years ago, seamstress and amateur naturalist Jeanne Villepreux-Power proves that the paper boats produce, hold and repair their own shell.<br /> <br /> concept and realisation: Christina Ertl-Shirley und Ruth Waldeyer with Kim Scheunemann @ the exhibition Power Cage – Experimentalraum Aquarium im State Studio Berlin<br /> <br /> ==Light Idea==<br /> <br /> A deambulatory structure of paper which is lit from the inside, getting darker the closer you get to it<br /> <br /> ==Physical Set Up==<br /> <br /> A metal structure made of aluminium H profiles hanging from the ceiling, used as a skeleton for the paper folds and as a cooling body for the LED strips<br /> <br /> Here you find [[Media:Papier.Falten._Planning.pdf | The Plan]] and [[Media:Papier.Falten Skizze.pdf | Drafts Of The Final Shape]]<br /> <br /> ==Guts==<br /> <br /> ===Hardware=== <br /> ultrasonic sensors, Arduinos, a [[Raspberry Pi]] + [[BitWizard DMX Interface]] for light controlling, Raspberry Pi as Gateway. Once it´s up and running, it´s a stand alone system, in order to restart a laptop and router are needed<br /> <br /> ===Software=== <br /> [[QLC+]], pythonOSC, [[MySensors]]<br /> <br /> https://www.mysensors.org/build/connect_radio<br /> <br /> <br /> &lt;span style=&quot;color:blue&quot;&gt;''<br /> To Do:<br /> Precisely describe the software installation…...'' &lt;/span&gt;</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Papier_Falten&diff=369 2021-04-15T14:34:29Z

<p>LuziFerase: /* Guts */</p> <hr /> <div><br /> [[File:Papier.Falten..jpg|thumb]]<br /> <br /> ==Description==<br /> <br /> 2019 we built a deambulatory shell consisting of 150 m2 paper, 16 pillow speakers, 1 bass speaker, 15,6 m Alu-H-Profile, 13,6 m LED-Strip, 1000 magnets, 300 foldback paper clips, 3 ultrasonic sensors, fishing line<br /> <br /> Around 105 million years ago the female paper boats* begin to make a fine shell that they hold on to with their arms. They leave caves and crevices behind them and head towards the water surface. To avoid attracting attention as flotsam, they have acquired camouflage: The thin membrane skin they stretch over their shells can change color. At times, the Argonauta females form chains and drift together through the sea. 180 years ago, seamstress and amateur naturalist Jeanne Villepreux-Power proves that the paper boats produce, hold and repair their own shell.<br /> <br /> concept and realisation: Christina Ertl-Shirley und Ruth Waldeyer with Kim Scheunemann @ the exhibition Power Cage – Experimentalraum Aquarium im State Studio Berlin<br /> <br /> ==Light Idea==<br /> <br /> A deambulatory structure of paper which is lit from the inside, getting darker the closer you get to it<br /> <br /> ==Physical Set Up==<br /> <br /> A metal structure made of aluminium H profiles hanging from the ceiling, used as a skeleton for the paper folds and as a cooling body for the LED strips<br /> <br /> Here you find [[Media:Papier.Falten._Planning.pdf | The Plan]] and [[Media:Papier.Falten Skizze.pdf | Drafts Of The Final Shape]]<br /> <br /> ==Guts==<br /> <br /> ===Hardware=== <br /> ultrasonic sensors, Arduinos, a [[Raspberry Pi]] + [[BitWizard DMX Interface]] for light controlling, Raspberry Pi as Gateway. Once it´s up and running, it´s a stand alone system, in order to restart a laptop and router are needed<br /> <br /> ===Software=== <br /> [[QLC+]], pythonOSC, [[MySensors]]<br /> <br /> https://www.mysensors.org/build/connect_radio<br /> <br /> To Do:<br /> Precisely describe the software installation…...</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Papier_Falten&diff=368 2021-04-15T14:09:35Z

<p>LuziFerase: /* Hardware */</p> <hr /> <div><br /> [[File:Papier.Falten..jpg|thumb]]<br /> <br /> ==Description==<br /> <br /> 2019 we built a deambulatory shell consisting of 150 m2 paper, 16 pillow speakers, 1 bass speaker, 15,6 m Alu-H-Profile, 13,6 m LED-Strip, 1000 magnets, 300 foldback paper clips, 3 ultrasonic sensors, fishing line<br /> <br /> Around 105 million years ago the female paper boats* begin to make a fine shell that they hold on to with their arms. They leave caves and crevices behind them and head towards the water surface. To avoid attracting attention as flotsam, they have acquired camouflage: The thin membrane skin they stretch over their shells can change color. At times, the Argonauta females form chains and drift together through the sea. 180 years ago, seamstress and amateur naturalist Jeanne Villepreux-Power proves that the paper boats produce, hold and repair their own shell.<br /> <br /> concept and realisation: Christina Ertl-Shirley und Ruth Waldeyer with Kim Scheunemann @ the exhibition Power Cage – Experimentalraum Aquarium im State Studio Berlin<br /> <br /> ==Light Idea==<br /> <br /> A deambulatory structure of paper which is lit from the inside, getting darker the closer you get to it<br /> <br /> ==Physical Set Up==<br /> <br /> A metal structure made of aluminium H profiles hanging from the ceiling, used as a skeleton for the paper folds and as a cooling body for the LED strips<br /> <br /> Here you find [[Media:Papier.Falten._Planning.pdf | The Plan]] and [[Media:Papier.Falten Skizze.pdf | Drafts Of The Final Shape]]<br /> <br /> ==Guts==<br /> <br /> ===Hardware=== <br /> ultrasonic sensors, Arduinos, a [[Raspberry Pi]] + [[BitWizard DMX Interface]] for light controlling, Raspberry Pi as [[Gateway]]. Once it´s up and running, it´s a stand alone system, in order to restart a laptop and router are needed<br /> <br /> ===Software=== <br /> [[QLC+]], pythonOSC, [[MySensors]]<br /> <br /> https://www.mysensors.org/build/connect_radio<br /> <br /> To Do:<br /> Precisely describe the software installation…...</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Papier_Falten&diff=367 2021-04-15T14:07:35Z

<p>LuziFerase: /* Hardware */</p> <hr /> <div><br /> [[File:Papier.Falten..jpg|thumb]]<br /> <br /> ==Description==<br /> <br /> 2019 we built a deambulatory shell consisting of 150 m2 paper, 16 pillow speakers, 1 bass speaker, 15,6 m Alu-H-Profile, 13,6 m LED-Strip, 1000 magnets, 300 foldback paper clips, 3 ultrasonic sensors, fishing line<br /> <br /> Around 105 million years ago the female paper boats* begin to make a fine shell that they hold on to with their arms. They leave caves and crevices behind them and head towards the water surface. To avoid attracting attention as flotsam, they have acquired camouflage: The thin membrane skin they stretch over their shells can change color. At times, the Argonauta females form chains and drift together through the sea. 180 years ago, seamstress and amateur naturalist Jeanne Villepreux-Power proves that the paper boats produce, hold and repair their own shell.<br /> <br /> concept and realisation: Christina Ertl-Shirley und Ruth Waldeyer with Kim Scheunemann @ the exhibition Power Cage – Experimentalraum Aquarium im State Studio Berlin<br /> <br /> ==Light Idea==<br /> <br /> A deambulatory structure of paper which is lit from the inside, getting darker the closer you get to it<br /> <br /> ==Physical Set Up==<br /> <br /> A metal structure made of aluminium H profiles hanging from the ceiling, used as a skeleton for the paper folds and as a cooling body for the LED strips<br /> <br /> Here you find [[Media:Papier.Falten._Planning.pdf | The Plan]] and [[Media:Papier.Falten Skizze.pdf | Drafts Of The Final Shape]]<br /> <br /> ==Guts==<br /> <br /> ===Hardware=== <br /> ultrasonic sensors, Arduinos, 1 Rasperry Pi + [[BitWizard DMX Interface]] for light controlling, 1 [[Raspberry Pi]] as [[Gateway]]. Once it´s up and running, it´s a stand alone system, in order to restart a laptop and router are needed<br /> <br /> ===Software=== <br /> [[QLC+]], pythonOSC, [[MySensors]]<br /> <br /> https://www.mysensors.org/build/connect_radio<br /> <br /> To Do:<br /> Precisely describe the software installation…...</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Papier_Falten&diff=366 2021-04-15T14:06:03Z

<p>LuziFerase: /* Physical Set Up */</p> <hr /> <div><br /> [[File:Papier.Falten..jpg|thumb]]<br /> <br /> ==Description==<br /> <br /> 2019 we built a deambulatory shell consisting of 150 m2 paper, 16 pillow speakers, 1 bass speaker, 15,6 m Alu-H-Profile, 13,6 m LED-Strip, 1000 magnets, 300 foldback paper clips, 3 ultrasonic sensors, fishing line<br /> <br /> Around 105 million years ago the female paper boats* begin to make a fine shell that they hold on to with their arms. They leave caves and crevices behind them and head towards the water surface. To avoid attracting attention as flotsam, they have acquired camouflage: The thin membrane skin they stretch over their shells can change color. At times, the Argonauta females form chains and drift together through the sea. 180 years ago, seamstress and amateur naturalist Jeanne Villepreux-Power proves that the paper boats produce, hold and repair their own shell.<br /> <br /> concept and realisation: Christina Ertl-Shirley und Ruth Waldeyer with Kim Scheunemann @ the exhibition Power Cage – Experimentalraum Aquarium im State Studio Berlin<br /> <br /> ==Light Idea==<br /> <br /> A deambulatory structure of paper which is lit from the inside, getting darker the closer you get to it<br /> <br /> ==Physical Set Up==<br /> <br /> A metal structure made of aluminium H profiles hanging from the ceiling, used as a skeleton for the paper folds and as a cooling body for the LED strips<br /> <br /> Here you find [[Media:Papier.Falten._Planning.pdf | The Plan]] and [[Media:Papier.Falten Skizze.pdf | Drafts Of The Final Shape]]<br /> <br /> ==Guts==<br /> <br /> ===Hardware=== <br /> ultrasonic sensors, Arduinos, 1 Rasperry Pi + [[Bitwizard]] for light controlling, 1 Raspberry Pi as Gateway. Once it´s up and running, it´s a stand alone system, in order to restart a laptop and router are needed<br /> <br /> ===Software=== <br /> [[QLC+]], pythonOSC, [[MySensors]]<br /> <br /> https://www.mysensors.org/build/connect_radio<br /> <br /> To Do:<br /> Precisely describe the software installation…...</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Papier_Falten&diff=365 2021-04-15T14:02:45Z

<p>LuziFerase: /* Physical Set Up */</p> <hr /> <div><br /> [[File:Papier.Falten..jpg|thumb]]<br /> <br /> ==Description==<br /> <br /> 2019 we built a deambulatory shell consisting of 150 m2 paper, 16 pillow speakers, 1 bass speaker, 15,6 m Alu-H-Profile, 13,6 m LED-Strip, 1000 magnets, 300 foldback paper clips, 3 ultrasonic sensors, fishing line<br /> <br /> Around 105 million years ago the female paper boats* begin to make a fine shell that they hold on to with their arms. They leave caves and crevices behind them and head towards the water surface. To avoid attracting attention as flotsam, they have acquired camouflage: The thin membrane skin they stretch over their shells can change color. At times, the Argonauta females form chains and drift together through the sea. 180 years ago, seamstress and amateur naturalist Jeanne Villepreux-Power proves that the paper boats produce, hold and repair their own shell.<br /> <br /> concept and realisation: Christina Ertl-Shirley und Ruth Waldeyer with Kim Scheunemann @ the exhibition Power Cage – Experimentalraum Aquarium im State Studio Berlin<br /> <br /> ==Light Idea==<br /> <br /> A deambulatory structure of paper which is lit from the inside, getting darker the closer you get to it<br /> <br /> ==Physical Set Up==<br /> <br /> A metal structure made of aluminium H profiles hanging from the ceiling, used as a skeleton for the paper folds and as a cooling body for the LED strips<br /> <br /> Here you find Sketches and Plans : [[Media:Papier.Falten._Planning.pdf]] [[Media:Papier.Falten Skizze.pdf]]<br /> <br /> ==Guts==<br /> <br /> ===Hardware=== <br /> ultrasonic sensors, Arduinos, 1 Rasperry Pi + [[Bitwizard]] for light controlling, 1 Raspberry Pi as Gateway. Once it´s up and running, it´s a stand alone system, in order to restart a laptop and router are needed<br /> <br /> ===Software=== <br /> [[QLC+]], pythonOSC, [[MySensors]]<br /> <br /> https://www.mysensors.org/build/connect_radio<br /> <br /> To Do:<br /> Precisely describe the software installation…...</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Pure_Data&diff=326 2021-04-15T11:20:00Z

<p>LuziFerase: </p> <hr /> <div>=Pure Data=<br /> ==Introduction==<br /> Pure Data (or just Pd) is an open source visual programming language for multimedia. It´s used in many contexts and for many different purposes. One way of using it is controlling lights within a network, receiving and sending data from and to sound, video, sensors... Incoming data is treated in pure data, sent through a light interface ([[Lanbox]], [[BitWizard DMX Interface]] etc.) to lamps. Or: light values are sent to and influence sound and video. <br /> <br /> If you want to know more about Pd in general, follow this link<br /> [[https://puredata.info/]]<br /> <br /> &lt;span style=&quot;color:green&quot;&gt;<br /> ''Here´s my personal view: &lt;/span&gt;<br /> <br /> &lt;span style=&quot;color:green&quot;&gt;I see working with Pd as landscaping: There´s data coming in and you translate/transform it into a format you can handle, send it in different directions, built gates which open and close in different directions, if you want depending on a certain condition - may it be time (open this gate every other minute) or a value (open this gate if the incoming data is above one, keep it closed if it´s below), or you say go this way if the value is below 1, go that way if the value is above one...this is a very basic example of a very complex and powerful programming language.&lt;/span&gt;<br /> <br /> ===versions of pure data===<br /> There´s different versions of Pd: <br /> Pd Vanilla, Pd-Extended (not maintained anymore), Pd L2ork, PurrData<br /> <br /> === abstractions===<br /> <br /> ===patches===</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Pure_Data&diff=325 2021-04-15T11:19:17Z

<p>LuziFerase: </p> <hr /> <div>=Pure Data=<br /> ==Introduction==<br /> Pure Data (or just Pd) is an open source visual programming language for multimedia. It´s used in many contexts and for many different purposes. One way of using it is controlling lights within a network, receiving and sending data from and to sound, video, sensors... Incoming data is treated in pure data, sent through a light interface ([[Lanbox]], [[BitWizard DMX Interface]] etc.) to lamps. Or: light values are sent to and influence sound and video. <br /> <br /> If you want to know more about Pd in general, follow this link<br /> [[https://puredata.info/]]<br /> <br /> &lt;span style=&quot;color:green&quot;&gt;<br /> ''Here´s my personal view: &lt;/span&gt;<br /> <br /> &lt;span style=&quot;color:green&quot;&gt;I see working with Pd as landscaping: There´s data coming in and you translate/transform it into a format you can handle, send it in different directions, built gates which open and close in different directions, if you want depending on a certain condition - may it be time (open this gate every other minute) or a value (open this gate if the incoming data is above one, keep it closed if it´s below), or you say go this way if the value is below 1, go that way if the value is above one...this is a very basic example of a very complex and powerful programming language.&lt;/span&gt;<br /> <br /> ===versions of pure data===<br /> There´s different versions of Pd: <br /> Pd Vanilla, Pd-Extended (not maintained anymore), Pd L2ork, PurrData<br /> <br /> === abstractions===<br /> <br /> ===patches===<br /> <br /> [[category:Pure Data]]</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=Category:Tools/Pure_Data&diff=323 2021-04-15T11:17:26Z

<p>LuziFerase: Created page with &quot;=Pure Data= ==Introduction== Pure Data (or just Pd) is an open source visual programming language for multimedia. It´s used in many contexts and for many different purposes....&quot;</p> <hr /> <div>=Pure Data=<br /> ==Introduction==<br /> Pure Data (or just Pd) is an open source visual programming language for multimedia. It´s used in many contexts and for many different purposes. One way of using it is controlling lights within a network, receiving and sending data from and to sound, video, sensors... Incoming data is treated in pure data, sent through a light interface ([[Lanbox]], [[BitWizard DMX Interface]] etc.) to lamps. Or: light values are sent to and influence sound and video. <br /> <br /> If you want to know more about Pd in general, follow this link<br /> [[https://puredata.info/]]<br /> <br /> &lt;span style=&quot;color:green&quot;&gt;<br /> ''Here´s my personal view: &lt;/span&gt;<br /> <br /> &lt;span style=&quot;color:green&quot;&gt;I see working with Pd as landscaping: There´s data coming in and you translate/transform it into a format you can handle, send it in different directions, built gates which open and close in different directions, if you want depending on a certain condition - may it be time (open this gate every other minute) or a value (open this gate if the incoming data is above one, keep it closed if it´s below), or you say go this way if the value is below 1, go that way if the value is above one...this is a very basic example of a very complex and powerful programming language.&lt;/span&gt;<br /> <br /> ===versions of pure data===<br /> There´s different versions of Pd: <br /> Pd Vanilla, Pd-Extended (not maintained anymore), Pd L2ork, PurrData<br /> <br /> === abstractions===<br /> <br /> ===patches===</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Pure_Data&diff=322 2021-04-15T11:14:33Z

<p>LuziFerase: /* Introduction */</p> <hr /> <div>=Pure Data=<br /> ==Introduction==<br /> Pure Data (or just Pd) is an open source visual programming language for multimedia. It´s used in many contexts and for many different purposes. One way of using it is controlling lights within a network, receiving and sending data from and to sound, video, sensors... Incoming data is treated in pure data, sent through a light interface ([[Lanbox]], [[BitWizard DMX Interface]] etc.) to lamps. Or: light values are sent to and influence sound and video. <br /> <br /> If you want to know more about Pd in general, follow this link<br /> [[https://puredata.info/]]<br /> <br /> &lt;span style=&quot;color:green&quot;&gt;<br /> ''Here´s my personal view: &lt;/span&gt;<br /> <br /> &lt;span style=&quot;color:green&quot;&gt;I see working with Pd as landscaping: There´s data coming in and you translate/transform it into a format you can handle, send it in different directions, built gates which open and close in different directions, if you want depending on a certain condition - may it be time (open this gate every other minute) or a value (open this gate if the incoming data is above one, keep it closed if it´s below), or you say go this way if the value is below 1, go that way if the value is above one...this is a very basic example of a very complex and powerful programming language.&lt;/span&gt;<br /> <br /> ===versions of pure data===<br /> There´s different versions of Pd: <br /> Pd Vanilla, Pd-Extended (not maintained anymore), Pd L2ork, PurrData<br /> <br /> === abstractions===<br /> <br /> ===patches===</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Pure_Data&diff=321 2021-04-15T11:10:02Z

<p>LuziFerase: /* Introduction */</p> <hr /> <div>=Pure Data=<br /> ==Introduction==<br /> Pure Data (or just Pd) is an open source visual programming language for multimedia. It´s used in many contexts and for many different purposes. One way of using it is creating lights within a network, receiving and sending data from and to sound, video, sensors... Incoming data is treated in pure data, sent through a light interface ([[Lanbox]], [[BitWizard DMX Interface]] etc.) to lamps. Or: light values are sent to and influence sound and video. <br /> <br /> If you want to know more about Pd in general, follow this link<br /> [[https://puredata.info/]]<br /> <br /> &lt;span style=&quot;color:green&quot;&gt;<br /> ''Here´s my personal view: &lt;/span&gt;<br /> <br /> &lt;span style=&quot;color:green&quot;&gt;I see working with Pd as landscaping: There´s data coming in and you translate/transform it into a format you can handle, send it in different directions, built gates which open and close in different directions, if you want depending on a certain condition - may it be time (open this gate every other minute) or a value (open this gate if the incoming data is above one, keep it closed if it´s below), or you say go this way if the value is below 1, go that way if the value is above one...this is a very basic example of a very complex and powerful programming language.&lt;/span&gt;<br /> <br /> ===versions of pure data===<br /> There´s different versions of Pd: <br /> Pd Vanilla, Pd-Extended (not maintained anymore), Pd L2ork, PurrData<br /> <br /> === abstractions===<br /> <br /> ===patches===</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Pure_Data&diff=319 2021-04-15T11:09:06Z

<p>LuziFerase: /* Introduction */</p> <hr /> <div>=Pure Data=<br /> ==Introduction==<br /> Pure Data (or just Pd) is an open source visual programming language for multimedia. It´s used in many contexts and for many different purposes. One way of using it is creating lights within a network, receiving and sending data from and to many places: sound, video, sensors...Incoming data is treated in pure data, sent through a light interface ([[Lanbox]], [[BitWizard DMX Interface]] etc.) to lamps. Or: light values are sent to and influence sound and video. <br /> <br /> If you want to know more about Pd in general, follow this link<br /> [[https://puredata.info/]]<br /> <br /> &lt;span style=&quot;color:green&quot;&gt;<br /> ''Here´s my personal view: &lt;/span&gt;<br /> <br /> &lt;span style=&quot;color:green&quot;&gt;I see working with Pd as landscaping: There´s data coming in and you translate/transform it into a format you can handle, send it in different directions, built gates which open and close in different directions, if you want depending on a certain condition - may it be time (open this gate every other minute) or a value (open this gate if the incoming data is above one, keep it closed if it´s below), or you say go this way if the value is below 1, go that way if the value is above one...this is a very basic example of a very complex and powerful programming language.&lt;/span&gt;<br /> <br /> ===versions of pure data===<br /> There´s different versions of Pd: <br /> Pd Vanilla, Pd-Extended (not maintained anymore), Pd L2ork, PurrData<br /> <br /> === abstractions===<br /> <br /> ===patches===</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Pure_Data&diff=318 2021-04-15T11:08:37Z

<p>LuziFerase: </p> <hr /> <div>=Pure Data=<br /> ==Introduction==<br /> Pure Data (or just Pd) is an open source visual programming language for multimedia. It´s used in many contexts and for many different purposes. One way of using it is creating lights within a network, receiving and sending data from and to many places: sound, video, sensors...Incoming data is treated in pure data, sent through a light interface ([[Lanbox]], [[BitWizard DMX Interface]] etc.) to lamps. Or: light values are sent to and influence sound and video. <br /> <br /> If you want to know more about Pd in general, follow this link<br /> [[https://puredata.info/]]<br /> <br /> &lt;span style=&quot;color:green&quot;&gt;<br /> ''Here´s my personal view: <br /> I see working with Pd as landscaping: There´s data coming in and you translate/transform it into a format you can handle, send it in different directions, built gates which open and close in different directions, if you want depending on a certain condition - may it be time (open this gate every other minute) or a value (open this gate if the incoming data is above one, keep it closed if it´s below), or you say go this way if the value is below 1, go that way if the value is above one...this is a very basic example of a very complex and powerful programming language.'' &lt;/span&gt;<br /> <br /> ===versions of pure data===<br /> There´s different versions of Pd: <br /> Pd Vanilla, Pd-Extended (not maintained anymore), Pd L2ork, PurrData<br /> <br /> === abstractions===<br /> <br /> ===patches===</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Pure_Data&diff=317 2021-04-15T11:07:06Z

<p>LuziFerase: /* Introduction */</p> <hr /> <div>=Pure Data=<br /> ==Introduction==<br /> Pure Data (or just Pd) is an open source visual programming language for multimedia. It´s used in many contexts and for many different purposes. One way of using it is creating lights within a network, receiving and sending data from and to many places: sound, video, sensors...Incoming data is treated in pure data, sent through a light interface ([[Lanbox]], [[BitWizard DMX Interface]] etc.) to lamps. Or: light values are sent to and influence sound and video. <br /> <br /> If you want to know more about Pd in general, follow this link<br /> [[https://puredata.info/]]<br /> <br /> &lt;span style=&quot;color:green&quot;&gt;<br /> Here´s my personal view <br /> I see working with Pd as landscaping: There´s data coming in and you translate/transform it into a format you can handle, send it in different directions, built gates which open and close in different directions, if you want depending on a certain condition - may it be time (open this gate every other minute) or a value (open this gate if the incoming data is above one, keep it closed if it´s below), or you say go this way if the value is below 1, go that way if the value is above one...this is a very basic example of a very complex and powerful programming language. &lt;/span&gt;<br /> <br /> ===versions of pure data===<br /> There´s different versions of Pd: <br /> Pd Vanilla, Pd-Extended (not maintained anymore), Pd L2ork, PurrData<br /> <br /> === abstractions===<br /> <br /> ===patches===</div>

LuziFerase https://gangplank.group/mediawiki/index.php?title=User:LuziFerase/Pure_Data&diff=316 2021-04-15T11:03:06Z

<p>LuziFerase: /* versions of pure data */</p> <hr /> <div>=Pure Data=<br /> ==Introduction==<br /> Pure Data (or just Pd) is an open source visual programming language for multimedia. It´s used in many contexts and for many different purposes. One way of using it is creating lights within a network, receiving and sending data from and to many places: sound, video, sensors...Incoming data is treated in pure data, sent through a light interface ([[Lanbox]], [[BitWizard DMX Interface]] etc.) to lamps. Or: light values are sent to and influence sound and video. <br /> <br /> If you want to know more about Pd in general, follow this link<br /> [[https://puredata.info/]]<br /> <br /> Here´s my personal view: <br /> I see working with Pd as landscaping: There´s data coming in and you translate/transform it into a format you can handle, send it in different directions, built gates which open and close in different directions, if you want depending on a certain condition - may it be time (open this gate every other minute) or a value (open this gate if the incoming data is above one, keep it closed if it´s below), or you say go this way if the value is below 1, go that way if the value is above one...this is a very basic example of a very complex and powerful programming language.<br /> <br /> ===versions of pure data===<br /> There´s different versions of Pd: <br /> Pd Vanilla, Pd-Extended (not maintained anymore), Pd L2ork, PurrData<br /> <br /> === abstractions===<br /> <br /> ===patches===</div>

LuziFerase